The An American in Paris ballet is a work of delirious filmmaking, jumping and dissolving from space to space, swirling around an area, dancers entering and leaving the frame in surprising ways.
An American in Paris (1951)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:47
Fresh:46
Rotten:1
Average Rating:7.9/10
Consensus: The plot may be problematic, but such concerns are rendered superfluous by Gene Kelly and Leslie Caron's star power, the Gershwins' classic songs, and Vincente Minnelli's colorful, sympathetic direction.
Runtime: 2 hrs 8 mins
Genre: Musical & Performing Arts
Synopsis: One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I.... One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I. lingers in Paris after the war to study painting and soon falls in love with Leslie Caron, an engaged demoiselle, much to the chagrin of his romance-minded benefactress. This classic musical boasts a 17-minute avant-garde ballet choreographed by Kelly to George Gershwin's unbeatable music. AN AMERICAN IN PARIS garnered eight Academy Award nominations and six wins, including Best Picture and Best Story and Screenplay. Kelly won a special Oscar for his inimitable achievements. [More]
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, Nina Foch
Director: Vincente Minnelli
Director: Vincente Minnelli
Producer: Arthur Freed
Composer: Johnny Green, Saul Chaplin
Get This Movie
Reviews for An American in Paris
A musical both ludicrously overpraised (especially in Hollywood) and underrated.
A triumph for tireless dance advocate Kelly, the Freed Unit, and the American musical itself. [Blu-ray]
It is both comfortable entertainment and eye-popping cinema, with its dream ballet acting as a showcase for what the movie musical can really do.
...the picture takes on its glow of magic when Miss Caron is on the screen. When she isn't, it bumps along slowly as a patched-up, conventional musical show.
An American in Paris (1951) is one of the greatest, most elegant, and most celebrated of MGM's 50's musicals, with Gershwin lyrics and musical score
While not nearly the musical it's cracked up to be, this 1951 film is absolutely required viewing for anyone who wants to see the studio system (MGM style) at its gaudiest, most Byzantine height.
The real reasons to see An American in Paris are for the Kelly dance sequences, the closing ballet, the Gershwin songs, the bright locations, and a few moments of the ineffable, always curiously sad charm of Oscar Levant.
It’s not hard to see why this is one of the most beloved musicals. They refuse to make movies like this anymore - movies that are full of music, beauty and grandeur, movies that make you smile, laugh, sing and maybe even attempt to dance along.
Unlike the magical Singin' in the Rain, Gene Kelly's An American in Paris doesn't transcend the musical form; but it's still one of the great exemplars of the genre.
t's a simple love story, but also a celebration of dance, music and art, embodied in the somewhat synthetic notion of Paris as the spiritual home of the arts, and the painterly aesthetic of the film as a whole.
Got only the vaguest connection to plot or character, but it's a gorgeous piece of filmmaking.
A francophile and frustrated painter, Minnelli identifies completely with Kelly's American painter Jerry. Arguably no Hollywood director was as knowledgeable of French art as Minnelli, whose work evokes the light and color of his cherished painters.
Beautifully designed, An American in Paris features plenty of unnecessarily lengthy dance numbers and a mildly interesting plot.
The balance, otherwise seen as the song and dance, manage to come along at the most inopportune times, and wear out their welcome at an excessively rapid rate.
The dazzling French fried musical is Hollywood's homage to Paris's joie de vivre.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- An American in Paris at Rotten Tomatoes
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

AV Club looks at a beloved cult classic, Sam Raimi's Army of Darkness.

TIME offers us a closer look at the characters from the latest Twilight film.

Moviefone lists their choices for the least attractive men in Hollywood.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



