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An American in Paris (1951)
Tomatometer
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Reviews Counted:47
Fresh:46
Rotten:1
Average Rating:7.9/10
Consensus: The plot may be problematic, but such concerns are rendered superfluous by Gene Kelly and Leslie Caron's star power, the Gershwins' classic songs, and Vincente Minnelli's colorful, sympathetic direction.
Runtime: 2 hrs 8 mins
Genre: Musical & Performing Arts
Synopsis: One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I.... One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I. lingers in Paris after the war to study painting and soon falls in love with Leslie Caron, an engaged demoiselle, much to the chagrin of his romance-minded benefactress. This classic musical boasts a 17-minute avant-garde ballet choreographed by Kelly to George Gershwin's unbeatable music. AN AMERICAN IN PARIS garnered eight Academy Award nominations and six wins, including Best Picture and Best Story and Screenplay. Kelly won a special Oscar for his inimitable achievements. [More]
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, Nina Foch
Director: Vincente Minnelli
Director: Vincente Minnelli
Producer: Arthur Freed
Composer: Johnny Green, Saul Chaplin
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Reviews for An American in Paris
One of the great musicals; fantastic Gershwin music, and the ballet is a triumph. One of Vincente Minnelli's finest works.
Unlike the magical Singin' in the Rain, Gene Kelly's An American in Paris doesn't transcend the musical form; but it's still one of the great exemplars of the genre.
...the picture takes on its glow of magic when Miss Caron is on the screen. When she isn't, it bumps along slowly as a patched-up, conventional musical show.
If you can't fall in love with Leslie Caron in this, then you simply cannot fall in love.
The balance, otherwise seen as the song and dance, manage to come along at the most inopportune times, and wear out their welcome at an excessively rapid rate.
It’s not hard to see why this is one of the most beloved musicals. They refuse to make movies like this anymore - movies that are full of music, beauty and grandeur, movies that make you smile, laugh, sing and maybe even attempt to dance along.
Every five or ten minutes the audience is treated to a riveting dance number set to some of the greatest tunes of George and Ira Gershwin.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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