The plot was showing signs of age far earlier than 1951, but everything else about An American in Paris more than compensates.
An American in Paris (1951)
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Reviews Counted:47
Fresh:46
Rotten:1
Average Rating:7.9/10
Consensus: The plot may be problematic, but such concerns are rendered superfluous by Gene Kelly and Leslie Caron's star power, the Gershwins' classic songs, and Vincente Minnelli's colorful, sympathetic direction.
Runtime: 2 hrs 8 mins
Genre: Musical & Performing Arts
Synopsis: One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I.... One of the greatest of 1950s screen musicals is a happy collaboration between the grace and athleticism of Gene Kelly and the colorful palette of director Vincente Minnelli. An American G.I. lingers in Paris after the war to study painting and soon falls in love with Leslie Caron, an engaged demoiselle, much to the chagrin of his romance-minded benefactress. This classic musical boasts a 17-minute avant-garde ballet choreographed by Kelly to George Gershwin's unbeatable music. AN AMERICAN IN PARIS garnered eight Academy Award nominations and six wins, including Best Picture and Best Story and Screenplay. Kelly won a special Oscar for his inimitable achievements. [More]
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary
Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, Nina Foch
Director: Vincente Minnelli
Director: Vincente Minnelli
Producer: Arthur Freed
Composer: Johnny Green, Saul Chaplin
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Reviews for An American in Paris
The combination of Kelly’s dance and charisma, Gershwin’s music and Minneli’s direction makes this a movie that’s hugely enjoyable, even for those who don’t generally look for movies that are packed with dancing.
The An American in Paris ballet is a work of delirious filmmaking, jumping and dissolving from space to space, swirling around an area, dancers entering and leaving the frame in surprising ways.
Got only the vaguest connection to plot or character, but it's a gorgeous piece of filmmaking.
The real reasons to see An American in Paris are for the Kelly dance sequences, the closing ballet, the Gershwin songs, the bright locations, and a few moments of the ineffable, always curiously sad charm of Oscar Levant.
An American in Paris (1951) is one of the greatest, most elegant, and most celebrated of MGM's 50's musicals, with Gershwin lyrics and musical score
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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