American Violet (2009)
Critic Consensus: Though its politics are as obvious as its outcome, American Violet is an earnest docudrama about the justice system with a powerful performance from Nicole Behairie.
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as Dee Roberts
as Alma Roberts
as Calvin Beckett
as David Cohen
as Sam Conroy
as Darrell Hughes
as Reverend Sanders
as Mark Shelby
as Byron Hill
as David Higgins
as Robert Foster
as Leona Conroy
as Claudia Johnson
as Judge Belmont
as Gladys Williams
as Jerry Arnold
as Officer Carter
as Tony Flair
as Mrs. Lloyd
as Judge Pryor
as Reporter #1
as Angry Woman
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Critic Reviews for American Violet
While it may be about as subtle as a swinging sledgehammer, it does leave its mark.
Director Tim Disney and screenwriter Bill Haney lay out Dee's story with a minimum of fuss. They are smart enough to realize that the material is compelling all on its own.
American Violet dramatizes Kelly's case, and does so in a way that will leave audiences applauding in their seats -- and wondering how much of the film is true.
Audience Reviews for American Violet
It's a story that's been done many times, and it's a bit predictable, but American Violet is a gripping docudrama about the Texas justice system that features powerful and award-worthy performances from the whole cast but I expect nothing but greatness and stardom for Nicole Behairie. (Alfre Woodard is also amazing).
Really, really good movie. Unreal that this stuff really happened, and still happens. I love a good true story, especially if it has Alfre Woodard in it. I cannot believe that this District Attorney was never fired, AND was re-elected to boot. What a world we live in. sheesh
Nichole Beharie as Dee Roberts gives a truly inspiring performance as a mother, living in the projects, who is wrongly accused of drug dealing, and then is caught up in a corrupted criminal justice system that railroads those who have little way of defending themselves against a system created to protect them.
The message here, while being a bit heavy handed, needs to be said, and the film does a very good job of delving into the consequences of a political system that simply bulldozes people for government funding, not caring what happens to those they trample.
There are some very touching scenes where Dee is jailed for 21 days for a crime she didn't commit; including a scene where she is allowed ten minutes to see her children - through a small grimy piece of glass that is stuck high up in a doorway. The will of this woman to perservere is astonishing, and the film does a nice job of showing you what would have happened if she had taken the offered plea bargain - a felony record that would prohibit her from receiving any kind of government assistance; from food stamps to housing - and, having a criminal record would severly hamper her attempts at finding a job, which of course could possibly lead to child protective services taking her children.
Dee has enough problems just getting on with life - trying to raise her children, with her children's deadbeat dad and his abusive girlfriend in the same building, and yet even after her conviction is overturned, her subsequent case (spearheaded by the A.C.L.U.) puts her in the D.A.'s crosshairs - who uses his substantial infuence to not only prevent her from returning to her job of 7 years, but even makes sure that she is terminated from the minimum wage job she finally manages to procure. All for a good arrest record, which not only serves to line the county coffers via federal funds, but keeps the D.A.'s "tough on crime" credo in the spotlight - and, ugliest of all, satisfies his predudice against people of color.
Still, Dee persists, and the D.A. is forced to make restitution to those wrongfully accused; but the bigger victory is that the law in which a person could be tried based on information provided by a single source,without corroborating evidence, was overturned.
This is a very forthright docu-drama, earnestly filmed, that includes an inspiring lead performance and some equally fine supporting performances by the likes of Alfre Woodard, Will Patten, Tim Blake Nelson, and Charles Dutton.
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