On the one hand, its multiple postmodernist levels and medium shifts make it one of the most original movies of the year. On the other, its relative lack of substance...is frustrating and causes the film to run out of juice about halfway through.
Hyperbolic adjectives such as dizzying, effervescent, kaleidoscopic and exhilarating spring to mind but don't adequately convey the craft and persistence that have gone into this confessional slice of (semi) non-fiction.
While the movie doesn't paint a clear sense of Nance's emotional side, one thing is certain: He is an artist with creativity to spare. This effort may not have been wholly successful, but it's a promising start to what could be a thrilling career.
A dense, organic, dazzling and funny tapestry, making use of varied and subtly colored animation and stop-motion; candid video; playfully verbose direct address; chapters and footnotes and doodles; and suavely chosen music and sonic bridges.