Director H.S. Miller thinks he's made something broodingly visionary when you're more likely to be aesthetically shaken up by one of Mad magazine's Fold-Ins.
Anamorph (2008)
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Reviews Counted:25
Fresh:6
Rotten:19
Average Rating:4.5/10
Consensus: Thin on plot but heavy on academic references, Anamorph proves more derivative than terrifying.
Rated: R [See Full Rating] for disturbing grisly images, some violence and language.
Runtime: 1 hr 43 mins
Genre: Dramas
Theatrical Release:Apr 18, 2008 Limited
Synopsis: Willem Dafoe (THE ENGLISH PATIENT) plays an NYPD detective who grapples with a string of unusual serial murders, perpetrated by a killer who fashions himself an artist. As the detective... Willem Dafoe (THE ENGLISH PATIENT) plays an NYPD detective who grapples with a string of unusual serial murders, perpetrated by a killer who fashions himself an artist. As the detective investigates the brilliantly composed crime scenes, he draws closer to a mystery that may end up implicating himself. H.S. Miller wrote and directed this moody psychological thriller. [More]
Starring: Willem Dafoe, Scott Speedman, Peter Stormare, Clea DuVall
Starring: Willem Dafoe, Scott Speedman, Peter Stormare, Clea DuVall, James Rebhorn, Amy Carlson
Director: H.S. Miller
Director: H.S. Miller
Screenwriter: Tom Phelan, H.S. Miller
Producer: Marissa McMahon
Composer: Reinhold Heil, Johnny Klimek
Studio: IFC Films
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Reviews for Anamorph
The atmosphere created by director H.S. Miller is gothic, tortured, stylized yet tinged with a classicist's sense of composition, symmetry and, yes, perspective.
No more interesting than any standard episode of "CSI" or any of the other myriad of cop-centric whodunits polluting our airwaves.
The serial killer in Anamorph shows promise, even if some of his best moves are derivative. The same is true of the film’s director.
Anamorph dances around ponderous issues and grotesque scenery but fails to really engage, startle or disturb.
Sure, it's better than 88 Minutes [what isn't?] but it's still pretty pointless, with unclear exposition and murky plot developments.
Compelling as it often is, Anamorph feels positively cloddish next to David Fincher’s Seven or Zodiac, with which it shares a fondness for shadowy rooms and dimly lit obsessions.
An academic thriller likely to engage only avid collectors of serial-killer flicks.
The unfortunate fact is that it's more than a little dull when it isn't preposterous.
Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination.
The long shadow of David Fincher's Seven falls on Anamorph, a moody, ultimately unexciting thriller.
A grimy, ugly film about death and the living dead in New York City, without the redeeming ambition of Seven or even the cultural commentary of Summer of Sam.
Director/co-writer H.S. Miller just lays on the chilly blues and a wet-blanket mood of arty anguish, leaving cinematographer Fred Murphy and production designer Jackson De Govia to trump up trompe l'oeils of carefully posed carrion.
Wears its influences...a little too heavily on its sleeve. But it does effectively convey a lingering sense of dread that can't be easily dismissed.
Beyond its cool, reflective surfaces and infinite plays with perspective lies nothing -- character, relationships, motives all seemingly irrelevant.
Latest News for Anamorph
January 17, 2009:
EMarketingMag.com: Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination. ![]()
More...
December 18, 2008:
Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination. ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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