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Anatomy of Hell (2004)
Tomatometer
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Reviews Counted:34
Fresh:9
Rotten:25
Average Rating:3.6/10
Consensus: Ponderous, pretentious, and -- considering the subject matter -- dull.
Theatrical Release:Oct 15, 2004 Limited
Synopsis: Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist... Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist opinions. Joining a generation of similarly taboo-breaking French directors such as Francois Ozon and Gaspar Noé, Breillat has no problem displaying explicit material to her audience and forcing them to confront their own assumptions about the relations between men and women. In ANATOMY OF HELL, based on her own novel, she presents a largely allegorical scenario positing that all men are inherently fearful of female sexuality. A gay man (ex-porn star Rocco Siffredi) prevents a woman (former Chanel and Gaultier model Amira Casar) from killing herself in a nightclub. Thrown together by this fated moment, she offers to pay him to watch her in the most intimate way--leading to a confrontational exploration of male and female psychology and misogyny. Never one to back down from the controversial, Catherine Breillat's explicit film ANATOMY OF HELL is perhaps the work that gets closest to her theoretical preoccupations. [More]
Starring: Amira Casar, Rocco Siffredi
Starring: Amira Casar, Rocco Siffredi
Director: Catherine Breillat
Director: Catherine Breillat
Studio: Tartan Films
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Reviews for Anatomy of Hell
The ultimate lesson being taught isn’t how homosexuality can be transposed to kinky hetero sex games.
Breillat reduces sexuality to the basest coupling of body parts, and Anatomy of Hell reduces film to freak-show voyeurism.
Vagina dialogue this may be, but it seems much more like a bunch of arse.
One of the most groundbreaking films in recent memory in terms of both the explicitness of its sexuality and its commitment to such an austere intellectual discourse.
The movie strongly suggests that to be gay is to be a misogynist, that all men wish to do violence to women and that being female is the same as being miserable.
Given that [Breillat's] premise is that all men are guilty and all women are victims in the same manner, the film becomes a ridiculous socio-political rant, not a drama about the complexity of real life.
A ponderous but very, very explicit exploration of gender roles and fears that frequently seems like a parody of the genre.
Ultimately less reminiscent of similarly themed efforts like Last Tango in Paris than of an explicit health education training film.
Breillat uses this man and woman on a bed (sometimes only he is clothed, and sometimes the two of them are naked) as a way of exploring the meaning of women's bodies from social, political and personal angles, instead of purely sensual ones.
It offends because it is so empty-headed and seemingly gratuitous in the sludge it offers up.
It might not be a film that can be taken too literally, that doesn't mean it shouldn't be taken seriously.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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