A fascinating mood piece from a filmmaker who painstakingly explores the sometimes ugly lives of women -- without flinching.
Anatomy of Hell (2004)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:34
Fresh:9
Rotten:25
Average Rating:3.6/10
Consensus: Ponderous, pretentious, and -- considering the subject matter -- dull.
Theatrical Release:Oct 15, 2004 Limited
Synopsis: Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist... Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist opinions. Joining a generation of similarly taboo-breaking French directors such as Francois Ozon and Gaspar Noé, Breillat has no problem displaying explicit material to her audience and forcing them to confront their own assumptions about the relations between men and women. In ANATOMY OF HELL, based on her own novel, she presents a largely allegorical scenario positing that all men are inherently fearful of female sexuality. A gay man (ex-porn star Rocco Siffredi) prevents a woman (former Chanel and Gaultier model Amira Casar) from killing herself in a nightclub. Thrown together by this fated moment, she offers to pay him to watch her in the most intimate way--leading to a confrontational exploration of male and female psychology and misogyny. Never one to back down from the controversial, Catherine Breillat's explicit film ANATOMY OF HELL is perhaps the work that gets closest to her theoretical preoccupations. [More]
Starring: Amira Casar, Rocco Siffredi
Starring: Amira Casar, Rocco Siffredi
Director: Catherine Breillat
Director: Catherine Breillat
Studio: Tartan Films
Get This Movie
Reviews for Anatomy of Hell
The ultimate lesson being taught isn’t how homosexuality can be transposed to kinky hetero sex games.
In her latest feature, sexual provocatrix Catherine Breillat turns a philosophical speculum on gender relations to perverse (and perversely elegant) effect.
One of the most groundbreaking films in recent memory in terms of both the explicitness of its sexuality and its commitment to such an austere intellectual discourse.
It might not be a film that can be taken too literally, that doesn't mean it shouldn't be taken seriously.
It's an admirably bold film, Siffredi is surprisingly good, and it's filled with images you're not likely to see anywhere else.
In her clinical yet stately manner Breillat is largely -- though not wholly -- successful.
Breillat uses this man and woman on a bed (sometimes only he is clothed, and sometimes the two of them are naked) as a way of exploring the meaning of women's bodies from social, political and personal angles, instead of purely sensual ones.
A ponderous but very, very explicit exploration of gender roles and fears that frequently seems like a parody of the genre.
Vagina dialogue this may be, but it seems much more like a bunch of arse.
Issues of sexual commitment, fidelity and self-worth are graphically explored with the torpid detachment of a psych major’s filmic send-up of a Calvin Klein commercial...
Given that [Breillat's] premise is that all men are guilty and all women are victims in the same manner, the film becomes a ridiculous socio-political rant, not a drama about the complexity of real life.
Breillat is a smart, serious observer of sexuality's often disruptive role in human life, but this existential drama is sadly pretentious.
It offends because it is so empty-headed and seemingly gratuitous in the sludge it offers up.
Unless you buy the obnoxious premise that men in general, and gay men in particular, loathe women, you may find yourself thinking, 'Buck up, dear!' and concluding that this is a filmmaker whose desire to shock exceeds her capacity for interesting thought.
Ultimately less reminiscent of similarly themed efforts like Last Tango in Paris than of an explicit health education training film.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Anatomy of Hell at Rotten Tomatoes
- Anatomy of Hell at AskMen
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


