Not since Pia Zadora’s The Lonely Lady has a gardening tool been so violated.
Anatomy of Hell (2004)
Tomatometer
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Reviews Counted:34
Fresh:9
Rotten:25
Average Rating:3.6/10
Consensus: Ponderous, pretentious, and -- considering the subject matter -- dull.
Theatrical Release:Oct 15, 2004 Limited
Synopsis: Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist... Over the course of her career as a writer and filmmaker, Catherine Breillat (ROMANCE, FAT GIRL) has never shied away from controversial topics, using both mediums to explore her strong feminist opinions. Joining a generation of similarly taboo-breaking French directors such as Francois Ozon and Gaspar Noé, Breillat has no problem displaying explicit material to her audience and forcing them to confront their own assumptions about the relations between men and women. In ANATOMY OF HELL, based on her own novel, she presents a largely allegorical scenario positing that all men are inherently fearful of female sexuality. A gay man (ex-porn star Rocco Siffredi) prevents a woman (former Chanel and Gaultier model Amira Casar) from killing herself in a nightclub. Thrown together by this fated moment, she offers to pay him to watch her in the most intimate way--leading to a confrontational exploration of male and female psychology and misogyny. Never one to back down from the controversial, Catherine Breillat's explicit film ANATOMY OF HELL is perhaps the work that gets closest to her theoretical preoccupations. [More]
Starring: Amira Casar, Rocco Siffredi
Starring: Amira Casar, Rocco Siffredi
Director: Catherine Breillat
Director: Catherine Breillat
Studio: Tartan Films
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Reviews for Anatomy of Hell
It's an admirably bold film, Siffredi is surprisingly good, and it's filled with images you're not likely to see anywhere else.
Ranks high on the squirm meter. But, unlike in most of [Breillat's] earlier work, there's no emotional payoff.
The good news: Real-life porn star Siffredi turns out to be a terrific actor. Who knew? The bad news: The scene with the garden implement. The scene with the red cocktail. The scene with … I can't go on.
Once again, [Breillat] gives us a man and a woman engaged in a bruising slugfest hinged to sexual difference.
Breillat is a smart, serious observer of sexuality's often disruptive role in human life, but this existential drama is sadly pretentious.
In her latest feature, sexual provocatrix Catherine Breillat turns a philosophical speculum on gender relations to perverse (and perversely elegant) effect.
Issues of sexual commitment, fidelity and self-worth are graphically explored with the torpid detachment of a psych major’s filmic send-up of a Calvin Klein commercial...
A mere parade of shock images meant to free us from our bourgeois illusions -- and since narrative engagement appears to be one of those sins, it's impossible to find a foothold.
In her clinical yet stately manner Breillat is largely -- though not wholly -- successful.
Unless you buy the obnoxious premise that men in general, and gay men in particular, loathe women, you may find yourself thinking, 'Buck up, dear!' and concluding that this is a filmmaker whose desire to shock exceeds her capacity for interesting thought.
Breillat is militantly in favor of personal and intellectual freedom -- and that aspect of her mission as an artist is laudable. But it's the way she expresses it on film that lends itself to giggles and guffaws.
Deliberately shocking, yawningly plodding and almost mind-bogglingly pretentious -- and its message is laid on with a trowel: Men are idiots.
A fascinating mood piece from a filmmaker who painstakingly explores the sometimes ugly lives of women -- without flinching.
I may be just one ignorant American who can't appreciate the brilliance of Breillat's French Skinema, but I know pretentious subtitled porn when I see it.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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