A good-looking but slim confection that's short on the multi-characterisation and sense of entwined destinies that mark the great Lelouch sagas.
And Now Ladies and Gentlemen (2003)
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Reviews Counted:25
Fresh:12
Rotten:13
Average Rating:5.6/10
Consensus: The plot is convoluted and awash in suds.
Theatrical Release:Aug 1, 2003 Limited
Box Office: $595,954
Synopsis: "Life is a deep sleep, of which love is the dream" - Alfred de Musset A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls... "Life is a deep sleep, of which love is the dream" - Alfred de Musset A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls who have become fugitives from the past. . . but now, fate is about to bring them together in the unfolding present. Half way around the world, in a mysterious and enchanted village, they will each seek a way to literally save their endangered lives, while discovering a love that will radically change them. Academy Award® winner Jeremy Irons and renowned international recording artist Patricia Kaas star in And Now Ladies & Gentlemen, directed by Claude Lelouch, who returns to the territory of his internationally acclaimed hit A Man and a Woman with a story that celebrates life, love, adventure, music and companionship. Shot in five vibrant locations around the world including London, Paris, the French seaport of Fecamp, and the cities of Fez and Essaouira in Morocco, the film is a comic-tinged, kaleidoscopic journey that Lelouch hopes will allow audiences "to see the things you cannot see with the naked eye." Valentin (Jeremy Irons) is an English jewel thief and master of disguise who has managed to pull off heists from the greatest gem shops of Europe using only two weapons: humorous bluff and charming deceit. And yet Valentin’s most secret, driving dream is to start a new life, and perhaps one day, to reimburse those from whom he has stolen. For now, however, the wearied Valentin desperately needs to escape. So he sets sail on a luxury yacht from the French port city of Fecamp and heads for the solace of the deep blue sea. Meanwhile, Jane Lester (Patricia Kaas) is a jazz chanteuse reeling from a bad love affair with a philandering trumpet player. She too sets sail, landing in Morocco, where she takes a gig singing in a grand Fez hotel, and looks for her own form of peace in the sand dunes and mysteries of the desert. Their fates collide when Valentin’s yacht (which is named "Ladies and Gentlemen") crashes off the coast of Morocco. Both he and Jane wind up in a medical office suffering from memory lapses – she has been forgetting lyrics; he can’t remember merchandise he has stolen, or frequently, that he has stolen at all. But in each other, they find no need for recollections of the past. As they head for the tomb of a legendary Moroccan healer, rumored to be able to cure any malady, they start down the path of an adventurous, if indeterminate, future. [More]
Starring: Jeremy Irons, Patricia Kaas, Thierry Lhermitte, Alessandra Martines
Starring: Jeremy Irons, Patricia Kaas, Thierry Lhermitte, Alessandra Martines, Jean-Marie Bigard, Ticky Holgado, Yvan Attal, Souad Amidou, Paul Freeman
Director: Claude Lelouch
Director: Claude Lelouch
Screenwriter: Claude Lelouch
Producer: Claude Lelouch, Paul Hichcock, Rick Senat
Composer: Michel Legrand
Studio: Paramount Classics
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Reviews for And Now Ladies and Gentlemen
According to common usage, the French word stupide comes closer to silly than to dumb, which is how I might rationalize my affection for this harebrained, obvious, but euphoric tale.
A beautifully crafted meditation on memory, fate, coincidence and yearning.
It's silly the way hope, optimism and love are silly: silly and rather wonderful.
It's at least as enjoyable as it is absurd, like wasting time and money at some place you know you can't afford.
I can't quite recommend the movie, but I confess a certain fugitive affection for it.
It's a sparkling mix of romance, comedy and drama, with gorgeous stars, breathtaking locations and a tricky story structure that eludes every effort to guess what might happen next.
Mr. Lelouch seems to have indulged Ms. Kaas and Mr. Irons beyond any rational narrative consideration.
An ungodly hash of comedy, romantic drama, musical and mystery thriller.
Pretentious if attractive nonsense, an exercise in vanity, indulgence and a startling degree of shallowness.
One minute, the film is funny. The next it's romantic. For a few seconds, it's suspenseful. Other times, it's philosophical. But mostly, it's just confusing.
A would-be ribald comic film that never gets very funny, mated with a love story that never ignites, mixed in with what seems to be a tale of magic and fantasy that never quite admits its presence.
Watching it is like flipping through the heavy fashion mag of your choice, in which scores of ad pages sometimes turn up an article or two.
This man and woman are so silly, and their story of fated love so goopy.
One part cabaret, one part travelogue, one part comic heist, one part romantic tearjerker -- and all pretty tedious.
The tone moves from gently jocular ... to mystically morose ... and that creates a jarring effect from which the movie does not recover.
The film goes on too long and adds up to very little, but the director's undisguised pleasure in filming the world of his grandiose, sentimental dreams is contagious.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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