Andrei Rublev (1973)
Average Rating: 8.7/10
Reviews Counted: 24
Fresh: 23 | Rotten: 1
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Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1
Average Rating: 4.5/5
User Ratings: 9,406
Widely recognized as a masterpiece, Andrei Tarkovsky's 205-minute medieval epic, based on the life of the Russian monk and icon painter, was not seen as the director intended it until its re-release over twenty years after its completion. The film was not screened publicly in its own country (and then only in an abridged form) until 1972, three years after winning the International Critics Prize at the Cannes Film Festival. Calling the film frightening, obscure, and unhistorical, Soviet
Jan 1, 1973 Limited
Feb 2, 1999
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Rublev was a minor icon-painter of the early 1400s. Tarkovsky re-imagines him as a Christ-like cypher for the sufferings of a divided Russia under the Tartar invaders.
Stuns with the sort of unexpected poetic explosions we've come to expect from Tarkovsky.
Tarkovsky merges dour meditation with barnburner technique in this overwhelming parable
Devoid of conventional genre traits and cinematic formula, Andrei Rublev is deeply unsettling -- and absolutely unmissable.
Even while struggling to make sense of the movie's frequent obscurities, it's impossible not to be moved by the intensity of Tarkovsky's vision.
Tarkovsky makes his film one of the most convincing portrayals in art of an artist; he succeeds by concentrating on the man's humanity.
It is not a film that needs to be processed or even understood, only experienced and wondered at.
A difficult, long, sometimes brutal work that truly justifies the term 'epic' -- not in the overused sense that has come to mean big and loud -- in both vision and execution.
A virulent assault on all that is wrong with Mother Russia, both past and present. One of the most significant movies of its (and all) time.
The notion of art as a 'religious experience' is sometimes bandied about too freely. Tarkovsky is one of a handful of filmmakers for whom this ideal was no cheap metaphor.
It's Tarkovsky's lighter touches, coupled with his majestic vision, that makes Andrei Rublev such compulsive viewing some 25 years after its original release.
Perfection lingers in each frame as Tarkovsky crafts one of the finest films ever made, an ecstatic story about art that has little interest in the artist himself, but in the power of art to transcend the age that produces it.
One of cinema's stunning achievements. If God ever watched a movie, he might well pick this one.
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