Annapolis moves at a decent clip, but it's all cliches ...
Annapolis (2006)
Tomatometer
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Reviews Counted:107
Fresh:11
Rotten:96
Average Rating:3.9/10
Consensus: In the immortal words of the Village People; 'In the Navy/ You can sail the seven seas/ In the Navy/ You can put your mind at ease.' However, if you're a movie critic, your mind was not put at ease by Annapolis; instead, you were probably felt uneasy because of the remarkable similarities between the plot of this mediocre, cliche-ridden drama and Top Gun and An Officer and a Gentleman.
Rated: PG-13 [See Full Rating] for some violence, sexual content and language.
Runtime: 1 hr 44 mins
Genre: Dramas
Theatrical Release:Jan 27, 2006 Wide
Box Office: $16,814,615
Synopsis: When he won a coveted admission spot tothe Naval Academy at Annapolis, local kid Jake Huard (James Franco, "James Dean") thought all his dreams had come true - but his battle to become the man he... When he won a coveted admission spot tothe Naval Academy at Annapolis, local kid Jake Huard (James Franco, "James Dean") thought all his dreams had come true - but his battle to become the man he wants to be is only just the beginning. Now, uncertain if a regular kid from a poor blue collar family can fit into the Academy's pressure-cooker atmosphere, and barely making the grade as a Freshman "plebe," Jake has one last shot at proving he has what it takes to become an officer in an institution that boasts a venerable 137-year history of focused discipline and determined excellence. With nothing left to lose, Jake decides to enter the notoriously fierce Navy boxing competition known as the Brigade Championships -- and face off against his arch-nemesis, Midshipman Lt. Cole (TYRESE GIBSON). Everything Jake has ever hoped for stands in the balance: the chance to make his father proud, to validate his Lieutenant's faith in him, to stand up for his fellow plebes, and most of all, to forge a different future. Directed by critically acclaimed indie director Justin Lin ("Better Luck Tomorrow"), comes this exhilarating comeback story of a courageous young sailor who discovers that some opportunities in life are worth fighting for. Jake's fellow classmates are comprised of a dynamic young cast that includes Jordana Brewster as the alluringly tough, female commander who helps to train Jake; Donnie Wahlberg as Lt. Cmdr. Burton, the officer who first decides to take a chance on Jake; and Chi McBride as the boxing coach who takes Jake from amateur swinger to focused warrior. --© Buena Vista Pictures [More]
Starring: James Franco, Jordana Brewster, Tyrese Gibson, Roger Fan
Starring: James Franco, Jordana Brewster, Tyrese Gibson, Roger Fan, Donnie Wahlberg, Vicellous Shannon, Chi McBride
Director: Justin Lin
Director: Justin Lin
Screenwriter: Dave Collard
Producer: Steve Nicolaides
Composer: Brian Tyler
Studio: Walt Disney Pictures
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Reviews for Annapolis
Annapolis is so gung-ho about the United States Naval Academy's ability to turn boys into fighting men and rebels into scrappy team players that it could easily be confused with a military recruiting film.
Neither lagging military recruitment nor movie attendance is likely to be helped by Annapolis, a by-the-numbers underdog drama set at the storied U.S. Naval Academy in the Maryland port of the title.
Annapolis is the perfect movie for someone who has never before seen one.
Annapolis is as predictable as stale bread. You can plot the film's conclusion, oh, at about the midway point. Even the few plot twists can be guessed miles away.
There's a good movie to be made about a townie who tests his mettle against the local elites. Plenty of films exploiting this time-honored premise tend to push the right audience buttons. But the Annapolis script is less a script than a checklist.
Actually, the lyrics to In the Navy are more sophisticated than Annapolis, which was assembled by the handy-dandy Disney make-a-movie kit and is loaded with parts borrowed from other films.
This movie samples An Officer and a Gentleman and Top Gun the way Vanilla Ice sampled Bowie.
The only impressive thing about it is the monotony and thoroughness with which it replicates cliches from older, better movies and hammers them into pop alloy to an up-with-me beat beat beat of its musical score.
Annapolis resembles Top Gun and An Officer and a Gentleman only in their infrequent indulgence in cliche, contrivance and crowd-pleasing flourishes.
Although crudely effective in a strictly formulaic way, the film manages to strike nary an unfamiliar note.
Any resemblance (except qualitatively) to An Officer and A Gentleman is strictly unaccidental.
Apparently the filmmakers are counting on viewers not remembering An Officer and a Gentleman, which seems fairly unlikely. Then again, the plot is so predictable that no prior knowledge is necessary to figure out where it's going.
Stacked with unoriginal plot elements hot off the assembly line, yet still manages to present said story with conviction, tough rings of truth, and a rooting attentiveness.
This film is strictly 'plebe' material and should be booted out of theaters on its white-uniformed rear.
Despite the lack of originality in Annapolis, it is dandy entertainment.
Much as I enjoyed screenwriter Dave Collard's freshman effort, Out of Time, there's not much to say about his sophomore (and sophomoric) screenplay, which seems to have gleaned its insights from the fortune-cookie factory.
It's a bland campaign for discipline that seems to want you to salute before leaving the theater.
Annapolis reminded me of a junior high production of An Officer and a Gentleman retold by cast members who could only recall bits and pieces of the original film.
... an exhausted wheeze of bankrupt cliches and cardboard characters, the kind of film that has no visible reason for existing, except that everybody got paid.
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