Annie Hall is refreshing because it showed an astonishing leap in creativity, exploration, and cinematic curiosity from Allen's previous film.
Annie Hall (1977)
Tomatometer
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Reviews Counted:46
Fresh:45
Rotten:1
Average Rating:8.8/10
Consensus: Filled with poignant performances and devastating humor, Annie Hall represents a quantum leap for Woody Allen and remains an American classic.
Runtime: 1 hr 34 mins
Genre: Comedies
Synopsis: Often considered the crown jewel in a highly acclaimed and prolific film career, ANNIE HALL is Woody Allen's only film to have won the Academy Award for Best Picture. This recognition, however, is... Often considered the crown jewel in a highly acclaimed and prolific film career, ANNIE HALL is Woody Allen's only film to have won the Academy Award for Best Picture. This recognition, however, is not what makes the film significant. ANNIE HALL marks the beginning of the second phase of Allen's career as a filmmaker, abandoning the slapstick of SLEEPER and BANANAS for more thoughtful comedies (and eventually dramas) that explored human relationships and psychology. Allen's capacity as a creative filmmaker had also grown with the film, as he utilized creative subtitles, split screens, and animation, as well as evincing a sophisticated understanding of the potential of editing and camera movement for comic effect--consider the cutaway to Allen's character Alvy Singer, as seen through the eyes of "Grammy Hall" during the dinner sequence, or shortly afterward the slow pan to Alvy in the passenger seat of a car driven by Annie's unhinged brother Duane. The film is a brutally honest assessment of the prospects of a relationship between two very different people. Allen's Alvy is (like the filmmaker himself) an introverted, neurotic intellectual and a complete mismatch for Diane Keaton's vivacious, flaky Annie Hall. Although the romance is undoubtedly the center of the film, it affords Allen the opportunity to contrast his beloved New York culture with that of the Midwest, where Annie comes from, and Los Angeles, which tempts Annie with the possibility of fame and success as a singer. The city of New York itself plays an important part for the first time in an Allen film, with a great deal of location shooting that serves to highlight the city's character and atmosphere. Finally, the many comedic cameos peppered through the film--from Truman Capote to Paul Simon to media theorist Marshall McLuhan--pay tribute to the deserved reputation that Allen had gained for himself. [More]
Starring: Woody Allen, Diane Keaton, Shelley Duvall, Christopher Walken
Starring: Woody Allen, Diane Keaton, Shelley Duvall, Christopher Walken, Tony Roberts, Paul Simon, Carol Kane, Tracey Walter
Director: Woody Allen
Director: Woody Allen
Producer: Charles H. Joffe
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Release:
Aug 5, 2008
Reviews for Annie Hall
If you can forgive the fact that it's a ragbag of half-digested intellectual ideas dressed up with trendy intellectual references, you should have a good laugh.
Lovely performances, and more superb gags in one minute than most movies manage in 90.
A rollicking exploration of one paranoid fellow's tangled world of love and loss.
There will be discussion about what points in the film coincide with the lives of its two stars, but this, I think, is to detract from and trivialize the achievement of the film, which, at last, puts Woody in the league with the best directors we have.
I love how honest this movie is. It's raw, it's awkward, and it's ugly, but it's all right there and right on.
Annie Hall (1977) is director /actor / co-writer Woody Allen's quintessential masterpiece of priceless, witty and quotable one-liners
Watching it again, 25 years after its April 1977 premiere, I am astonished by how scene after scene has an instant familiarity.
If the movie has a message, it's the same as most later Allen movies -- that love inevitably fades and only Louis Armstrong and the Marx Brothers abide.
It's a slight story but what makes this film significant in Allen's long career is that it's really the first time he wrote adult characters.
That this Woody Allen film is of such raw-nerved honesty is admirable. That it is also so incessantly funny is remarkable.
Just when you feel like you want to look away, it brings you back with a devastating one-liner.
Visually and structurally it's a mess, but many of the situations are genuinely clever, and there are plenty of memorable gags.
Woody Allen is a genius. You can't even say that he really is an American filmmaker, because his movies are in a category of their own.
a tour de force that only the most skilled writer/filmmaker/comedian could pull off
To represent the male view of romance and feelings through the role of Alvy Singer (played by Woody Allen), writer-director Allen updated the familiar stock character of thje "little man" who's at bay in a complex world--a grown up Charlie Brown.
A touching and hilarious love story that is Allen's most three-dimensional film to date.
Not only is it his best film, it comes as close to perfection as any comedy created in the twentieth century.
Latest News for Annie Hall
October 28, 2008:
Why Can't Oscar Laugh? ![]()
It's an old question, but one that bears repeating: Why are the Oscars a comedy-free zone? More...
August 14, 2008:
Woody Allen Looks Back With EW ![]()
As he prepares to launch his latest feature, Vicky Cristina Barcelona, Woody Allen has taken a few minutes to revisit a dozen of his career highlights with Entertainment Weekly. More...
July 16, 2008:
Charles H. Joffe: 1929-2008 ![]()
Producer Charles H. Joffe, instrumental in the career of Woody Allen, among others, has succumbed to lung cancer. He was 78. More...
April 02, 2008:
Woody Allen Sues American Apparel
Surprised to see Annie Hall-themed ads from American Apparel last year? You weren't the only one. More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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