Average Rating: 6.9/10
Reviews Counted: 28
Fresh: 21 | Rotten: 7
This deeply personal, yet political, documentary about Israeli/Palestinian relations is quietly moving.
Average Rating: 6.9/10
Critic Reviews: 15
Fresh: 12 | Rotten: 3
This deeply personal, yet political, documentary about Israeli/Palestinian relations is quietly moving.
liked it
Average Rating: 3.5/5
User Ratings: 318
In 1967, not long after the Israeli Six Day War, noted author Amos Elon had moved into a new home in West Jerusalem, and he and his wife decided to hire someone to help watch over their one-year-old daughter, Danae. Mahmoud "Musa" Obeidallah, a Palestinian, applied for the job and got it, and so in the midst of bitter conflict, Danae grew up being taken care of and tutored by a man who was supposed to be a political rival of her family. In her early twenties, Danae lost contact with Musa, but
May 3, 2004 Wide
May 23, 2006
All Critics (34) | Top Critics (15) | Fresh (21) | Rotten (8) | DVD (1)
Becomes an odd companion piece to the stunning Capturing the Friedmans, one of the most disturbing chronicles of family dysfunction ever documented.
Slim, heartbreaking film.
The man at its heart is a 76-year-old Palestinian named Musa, and if he and we are never quite sure what the movie is truly about it's still a pleasure to make his acquaintance.
Elon uses quiet and silence to great effect.
Layered, loving and deeply personal.
A work of powerful humanism that could unsettle entrenched points of view.
The Israeli director tries to find the Palestinian man who helped raise her, but her search doesn't tell us nearly enough about why finding him matters
... a film that handles tragic ironies lightly and offers simple hope in lieu of policy prescriptions.
'From the milk we drank together, something of my blood, my life is in you,' Musa tells Danae, and explains more about this moving portrait than any political debate could.
Amounts to little more than pictures from a family album.
It's a documentary of Upstairs Downstairs dimension.
[The filmmaker] veers into self-indulgence, but Obeidallah's drive to give his kids a better life - even at the risk of abandoning their homeland - is touching.
Compelling with its inside-out look at the crisis of the Middle-East, even if there is a fair bit of narcissism involved.
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