This stylized romantic comedy offers limited, largely synthetic rewards.
Anything But Love (2003)
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Reviews Counted:34
Fresh:13
Rotten:21
Average Rating:5/10
Theatrical Release:Nov 14, 2003 Limited
Box Office: $58,739
Synopsis: ANYTHING BUT LOVE, which celebrates the style and sensibility of the 50’s Technicolor musicals, tells a contemporary love story of a young woman choosing between the life she wants and the dreams... ANYTHING BUT LOVE, which celebrates the style and sensibility of the 50’s Technicolor musicals, tells a contemporary love story of a young woman choosing between the life she wants and the dreams she can’t live without. The film stars ISABEL ROSE as Billie Golden, a woman infatuated with the glamour of an era long past. Dressed to the nines in the look of Hepburn and Hayworth, Billie envisions herself singing in plush nightclubs amidst velvet curtains and the sparkle of champagne. After a series of setbacks, she runs into high school heartthrob, Greg Ellenbogen (CAMERON BANCROFT), who quickly sweeps her off her feet. But when she meets a jaded pianist, Elliot Shepard (ANDREW MCCARTHY), she finds herself caught between competing dreams, a dilemma only EARTHA KITT can solve. ANYTHING BUT LOVE pays homage to the type of movie that was a staple of the American moviegoers diet in the 40’s and 50’s. Shot in an approximation of Technicolor, and employing many of the techniques made popular by such legendary filmmakers as Vincent Minnelli and Arthur Freed, ANYTHING recollects those films while presenting an original story set in contemporary Manhattan. If you are familiar with BREAKFAST AT TIFFANY’S, FUNNY FACE, BAND WAGON or PILLOW TALK, you are in for a real treat. While not a satire, ANYTHING is certainly an experience in nostalgia, not only for the good old days of cinema but also for a time when glamour was everything and the spotlights shined on beautiful men and women and when the world danced. -- © Samuel Goldwyn Films [More]
Starring: Isabel Rose, Andrew McCarthy, Cameron Bancroft, Eartha Kitt
Starring: Isabel Rose, Andrew McCarthy, Cameron Bancroft, Eartha Kitt
Director: Robert Cary
Director: Robert Cary
Screenwriter: Isabel Rose, Robert Cary
Producer: Aimee Schoof, Isen Robbins
Studio: Samuel Goldwyn Films
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Reviews for Anything But Love
From the couch on a lazy Sunday afternoon, that wouldn't be so bad, but when we've been summoned to the cinema, we expect something more.
The script is a sappy '40s melodrama transported into the 21st century, where it just creaks.
This is a micro-budgeted tribute to Hollywood musicals of the '40s and '50s that's all the more endearing for its flaws.
[T]he wonderful standards soundtrack can’t disguise the lack of chemistry between Rose and either of her leading men...
A low-budget valentine to big-budget Hollywood musicals of the 1940s and '50s, this affectionate homage to dreamy movie romances is a sweet-natured charmer in its own right.
The thin story -- a 32-year-old woman who lives at home with Mom, sings in the bar at an airport motel, and lives in a fantasy world of musicals -- feels less romantic than pathetic.
After viewing this wan, though heartfelt tribute to the golden age of MGM musicals, you might be left wanting anything but this.
The results are earnest but completely resistable, more borscht-belt Cabaret than My Big Fat New York Tryout.
Anything but unpredictable, but it is a pleasant, good-natured picture that struggles, gallantly if vainly, to recapture the style and sensibility of a studio musical on the severely limited budget of an independent film.
It succeeds because it dares to take its people and their dreams seriously, with a gently humorous affection, instead of merely sending them up, and because it clearly is taking place in the Manhattan of here and now and not in some vague time warp.
[Rose] has little presence as an actress ... and her unremarkable voice seems better suited for singing corporate jingles than the Great American Songbook.
A schmaltz-laden romantic comedy peppered with a few uninteresting musical fantasy sequences.
If this is such a cheesy, derivative movie, why did I watch it twice with such delight?
Features lush arrangements and lovely singing by co-scripter and star Isabel Rose, but never quite comes to life on its own terms.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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