After about 30 minutes, you'll lose count of all the mother-daughter snits thrown by Sarandon and Portman as they flee Hickville for the verdant and unaffordable pastures of Beverly Hills.
Anywhere But Here (1999)
Tomatometer
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Reviews Counted:85
Fresh:55
Rotten:30
Average Rating:6.4/10
Consensus: The clever reversal of roles between Portman and Sarandons' charectors (Portman is constantly worried and looking out for her mother, not visa-versa) makes the movie interesting and worth watching. Transcends the tired cliche well.
Runtime: 1 hr 54 mins
Genre: Dramas
Synopsis:
It is mid-summer 1995 as a 1978 Mercedes zooms down the highway, heading west. Inside sit 14-year-old Ann August (Natalie Portman) and her mother Adele (Susan Sarandon). Against her will, Ann is...
It is mid-summer 1995 as a 1978 Mercedes zooms down the highway, heading west. Inside sit 14-year-old Ann August (Natalie Portman) and her mother Adele (Susan Sarandon). Against her will, Ann is being moved to Beverly Hills where Adele, stifled by small-town life in Bay City, Wisconsin, hopes to make her colorful dreams come true. Ann is furious at having to leave the life she loves. Adele is tired of defending herself against her daughter's longings for home and family, and feels that she's taking Ann away from a lifeless future and offering her an exciting new world.
Their first stop in Los Angeles is the Beverly Hills Hotel, the symbol of Adele's quest; they then head off to a Travelodge motel and what will become their real life - meals at diners and a very ordinary one-bedroom apartment in the flats of Beverly Hills.
Over the next two years, Ann and Adele adjust to the reality of life in Los Angeles. Their relationship is close, but always volatile. Adele remains on the outside looking in, always wanting more. Ann is the realist, seeing things for what they are, sometimes more the mother than the daughter.
Together, mother and daughter are on a journey of discovery - of new possibilities, of their respective dreams and of each other.
Starring: Susan Sarandon, Natalie Portman, Eileen Ryan, Corbin Allred
Starring: Susan Sarandon, Natalie Portman, Eileen Ryan, Corbin Allred, Ray Baker, John Diehl, Shawn Hatosy, Bonnie Bedelia, Faran Tahir, Scott Burkholder, Thora Birch
Director: Wayne Wang
Director: Wayne Wang
Screenwriter: Alvin Sargent
Producer: Laurence Mark
Composer: Danny Elfman
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Reviews for Anywhere But Here
Portman single-handedly saves Anywhere but Here from pointlessness. But even she can't give this calculatedly homogenized product a real point of view.
Yes, Anywhere But Here does play a one-note mom-daughter tune. But it does this so well, it's still a successful movie.
Both Sarandon and Portman provide solid performances in a film that is otherwise predictable and slight.
Sarandon and Portman have sizzling electricity that makes every funny, touching or sad moment between them seem even more fascinating than the last.
Anywhere But Here works in no small part because of the pairing of the huge talents of Susan Sarandon and Natalie Portman.
Susan Sarandon adds another milestone to her own path, and Natalie Portman takes a great step on what promises to be a major career.
A sappy soap opera-style drama with absolutely no necessity to develop believability.
There isn't one thing about this mother-daughter relationship melodrama that felt honest and not stolen from someplace else.
There's a warmly harmonic convergence among scriptwriter Alvin Sargent, director Wayne Wang and cinematographer Roger Deakins.
Sarandon and Portman give strong performances about domination and coping.
An exceptional motion picture. A true-to-life examination of the bond between a mother and a daughter, and has universal appeal for anyone who has ever had a parent.
Sarandon and Portman work beautifully -- together, negotiating a range of emotional keys that blend comedy and drama in the same moment.
Both Susan Sarandon and Natalie Portman deserve to make the short list in February for breathing fresh air into an all-too-familiar mother-daughter act.
Portman's performance is wrenching and powerful, as one by one Ann's chances for a "normal" life slip away.
Enough time has gone since Alice Doesn't Live Here Anymore came out to warrant another film on the subject.
Only in Portman's performance that the picture becomes something truly special.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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