Both Sarandon and Portman give very good, precise performances.
Anywhere But Here (1999)
Tomatometer
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Reviews Counted:85
Fresh:55
Rotten:30
Average Rating:6.4/10
Consensus: The clever reversal of roles between Portman and Sarandons' charectors (Portman is constantly worried and looking out for her mother, not visa-versa) makes the movie interesting and worth watching. Transcends the tired cliche well.
Runtime: 1 hr 54 mins
Genre: Dramas
Synopsis:
It is mid-summer 1995 as a 1978 Mercedes zooms down the highway, heading west. Inside sit 14-year-old Ann August (Natalie Portman) and her mother Adele (Susan Sarandon). Against her will, Ann is...
It is mid-summer 1995 as a 1978 Mercedes zooms down the highway, heading west. Inside sit 14-year-old Ann August (Natalie Portman) and her mother Adele (Susan Sarandon). Against her will, Ann is being moved to Beverly Hills where Adele, stifled by small-town life in Bay City, Wisconsin, hopes to make her colorful dreams come true. Ann is furious at having to leave the life she loves. Adele is tired of defending herself against her daughter's longings for home and family, and feels that she's taking Ann away from a lifeless future and offering her an exciting new world.
Their first stop in Los Angeles is the Beverly Hills Hotel, the symbol of Adele's quest; they then head off to a Travelodge motel and what will become their real life - meals at diners and a very ordinary one-bedroom apartment in the flats of Beverly Hills.
Over the next two years, Ann and Adele adjust to the reality of life in Los Angeles. Their relationship is close, but always volatile. Adele remains on the outside looking in, always wanting more. Ann is the realist, seeing things for what they are, sometimes more the mother than the daughter.
Together, mother and daughter are on a journey of discovery - of new possibilities, of their respective dreams and of each other.
Starring: Susan Sarandon, Natalie Portman, Eileen Ryan, Corbin Allred
Starring: Susan Sarandon, Natalie Portman, Eileen Ryan, Corbin Allred, Ray Baker, John Diehl, Shawn Hatosy, Bonnie Bedelia, Faran Tahir, Scott Burkholder, Thora Birch
Director: Wayne Wang
Director: Wayne Wang
Screenwriter: Alvin Sargent
Producer: Laurence Mark
Composer: Danny Elfman
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Reviews for Anywhere But Here
Portman's piercing, layered performance deserves a better film around it.
This Wayne Wang-directed movie hands Sarandon one of the richest comic-dramatic opportunities of her career -- while also confirming Portman as one of her own generation's best and brightest.
Adele and Ann don't really seem like mother and daughter; their conflicts are more a matter of theatrical convenience than something born in the blood.
As gifted an actress as Sarandon may be, her Adele is more caricature than character.
A wryly observed mother-daughter drama that earns its laughs -- and tears -- the old-fashioned way.
Sarandon lends history and intricacy to the barely-veiled neuroses of her falsely chipper, ego-battered single mom, who projects all her unfulfilled ambitions onto her irked offspring.
Portman's terrific performance in Anywhere But Here is replete with razor's-edge emotions, a watchful stillness, and an exact physical sense of how a teenager struggles to fit into her own body.
The reason why the producers ruined this pleasant little film with heavy-handed musical interludes remains an utter mystery.
Sarandon bravely makes Adele into a person who is borderline insufferable. This isn't Auntie Mame, but someone with deep conflicts and inappropriate ways of addressing them. And Ann is complex, too.
It's a performance that could make even the most cynical action-movie fan find a stray tear in his eye.
While Anywhere But Here doesn't offer anything new in terms of mother-daughter relationship vehicles, it does bolster embracing performances from Susan Sarandon and Natalie Portman.
Portman continues to show strong chops for a young actress, navigating a similarly complicated path between devotion to her mother and intense resentment.
Despite the script's repeated frustration and anger that Ann feels toward her mother, Portman imbues the role with a degree of freshness.
A drama that doesn't have much emotional impact and a comedy that produces a few random smiles and almost no laughs.
Natalie Portman delivers a subtle, nuanced performance as a teenager desperate for normalcy, particularly in contrast to Susan Sarandon's persistent, over-the-top kookiness.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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