Japanese director Takushi Tsubokawa's blithe and occasionally spectral romantic drama Aria opens on the widowed piano tuner Ota, who battles grief over the loss of his wife with stone-faced solemnity and occasional flashes of rage. His late beloved, it seems, foretold her own death and insisted that he scatter her ashes over an isolated beach. Some time after her passing, an eccentric, aged puppeteer turns up with a realistic female mannequin, indicating his desire to find the piano on which
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