This is not a movie for the masses. It is, however, a small film about real life hardships and their tragic consequences.
Ask the Dust (2005)
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Reviews Counted:101
Fresh:37
Rotten:64
Average Rating:5.1/10
Consensus: Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based.
Rated: R [See Full Rating] for some sexuality, nudity and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:Mar 10, 2006 Limited
Box Office: $630,802
Synopsis: From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays... From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays his lover, a waitress who also wants to rise above her station. [More]
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins, Charlie Hunnam, William R. Mapother, Justin Kirk, Idina Menzel, Dion Basco, Tamara Craig Thomas
Director: Robert Towne
Director: Robert Towne
Studio: Paramount Pictures
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Reviews for Ask the Dust
Robert Towne has some terrific films to his credit, including the classic "Chinatown" and later "The Firm"---- "Ask the Dust" is not one of them.
Whether or not you're familiar with John Fante, if you like novels, you'll like Ask the Dust.
Ask the Dust requires an audience with a special love for film noir, with a feeling for the loneliness and misery of the writer, and with an understanding that any woman he meets will be beautiful.
... after an hour or so, Ask the Dust seems to have said everything, and the air starts to seep out of its hermetic atmosphere.
As a film, Ask the Dust is uneven; as a labor of love, it's a beauty.
Farrell isn't living up to his hype. He's inheriting the mantle from Andy Garcia as the world's oldest promising newcomer.
Miscast, constricted, loose in tone and meandering in intent, it has far fewer moments of inspiration than unintended laughter.
Fante would never approve, governed as he was by a crushing fear of phoniness.
It is to the credit of Towne and his cast ... that Ask the Dust is able to convey Fante's passion without making it seem affected.
What gives Ask the Dust its quiet vitality -- beyond Farrell's muscular yet delicate portrayal -- is the fear of failing to grasp the brass ring that appears through much of the movie.
If only writing in real life could be as romantic as it often is in the movies.
Towne gets L.A. (that strange combination of wide-open spaces and close-quarter moral rot) like nobody else. Still, there's a persisting dreariness at the film's center.
What's surprising about the new film's vapid emptiness is that Towne also wrote the screenplay. And the writing is the film's central problem.
It isn't until the very end that somebody finally does ask the dust a question, and there's so much talking in this movie that it's a miracle the dust doesn't reply.
Towne and cinematographer Caleb Deschanel beautifully capture Fante's city of the dispossessed, where the seasons never change.
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| Tomatometer Percentage | Movie |
|---|---|
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| 45% 45% | Shorts |
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