Irresolute and underdeveloped, this movie has two ideas smushed together without a disciplined evaluation of what they mean to each other and where they fit. It's a character study that isn’t more than skin deep.
Assassination Tango (2003)
Tomatometer
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Reviews Counted:87
Fresh:42
Rotten:45
Average Rating:5.6/10
Consensus: Slow to start, this quirky film eventually overstays its welcome.
Theatrical Release:Mar 28, 2003 Limited
Box Office: $873,865
Synopsis:
From acclaimed actor, writer, and director Robert Duvall comes Assassination Tango, a complex thriller, fascinating character study, and provocative look at the intoxicating world of Argentine...
From acclaimed actor, writer, and director Robert Duvall comes Assassination Tango, a complex thriller, fascinating character study, and provocative look at the intoxicating world of Argentine tango. As in all of Duvall's films (including the award-winning The Apostle), Assassination Tango offers both an in-depth portrait of a complicated man and a truthful, incisive exploration of a world outside the mainstream.
John J. (Robert Duvall) is deeply devoted to his girlfriend, Maggie (Kathy Baker), and to her young daughter, Jenny (Katherine Micheaux Miller). He is also passionate about dancing, a talent he hones at local Brooklyn dance halls. But his skill on the dance floor seems incongruous with his profession - John is a hit man, and a very good one.
Hired to assassinate an Argentine general in Buenos Aires, John is met in Argentina by Miguel (Ruben Blades), who takes him to the home of a couple whose son the general had killed. But John isn't interested in pathos or politics. As he says, "There's two sides to every story." He just wants to do his job, do it well, get paid, and get home. But when the General unexpectedly delays his return to Buenos Aires, John's neat plans are trashed.
Angry, alone, and with nothing to do until the General's return, John explores the city and soon discovers the rich and mysterious world of the tango. Enthralled, he watches the dancers in the clubs moving with a spellbinding combination of fire and ice, passion and precision. He is hooked and begins to insinuate himself into the life of Manuela (Luciana Pedraza), a charming, brilliant dancer who becomes his teacher and guide into the world of this new dance.
Vacillating between his profession and newfound passion, John finally is able to complete his hit, only to find out the vengeful military has tightened national security like a noose. Spellbound by the rich and mysterious world Manuela has shown him, his idyll is shattered when the reality of why he's there comes crashing down around him. His chances of getting out of Argentina grow slim as he struggles to keep from being found and killed. As evading capture becomes ever more difficult and he finds himself alone with no one to trust, John desperately tries to find a way out of South America and back home.
United Artists presents an American Zoetrope production of Assassination Tango, in association with Butchers Run Films. Written, directed, produced by and starring Academy Award® winner Robert Duvall, Assassination Tango also stars Ruben Blades, Kathy Baker, and Luciana Pedraza, and was also produced by Rob Carliner with executive producers Francis Ford Coppola and Linda Reisman and co-producers Steven Brown and Raul Outeda. Felix Monti served as director of photography, with production design by Stefania Cella, editing by Stephen Mack, and music by Luis Bacalov.
Starring: Ruben Blades, Robert Duvall, Kathy Baker, Luciana Pedraza
Starring: Ruben Blades, Robert Duvall, Kathy Baker, Luciana Pedraza, Katherine Micheaux Miller
Director: Robert Duvall
Director: Robert Duvall
Screenwriter: Robert Duvall
Producer: Steve Brown, Raul Outeda, Robert Duvall, Rob Carliner, Linda Reisman
Composer: Luis Bacalov
Studio: MGM/UA
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Reviews for Assassination Tango
Duvall is one of our great film actors -- and, with Assassination Tango, he once again shows just what a quirky and original storyteller he is.
Even Marlon Brando wouldn't be able to keep this from being the last tango in Buenos Aires that anyone is likely to see on screen for a while.
Duvall at his worst is still an accomplished performer; Pedraza is a modern-day Ali McGraw, lithe and beautiful but no kind of actress. For all her fluidity on the dance floor, she's a dead weight who drags the film down.
While not on the level of The Apostle, the movie stands as a rewarding, first-rate drama.
The dance scenes are lovely, but by the end it hits you that the assassination is the movie's real tango, and that few artists have caught the swirl and kick of modern male aggression better than Duvall.
A quirky drama written and directed by Robert Duvall in which he plays a hit man enchanted with the dance form that most exquisitely gives expression to his soul.
Overlong and far less engaging than Duvall's earlier Angelo My Love and The Apostle.
If Mr. Duvall's finely textured performance is a testament to the power of good screen acting to lift a film above the mundane, the movie's many irritating tics demonstrate that he is much more at home in front of the camera than behind it.
Duvall's latest is a treat for the eyes and ears, but it doesn't always ring true on deeper dramatic levels.
Written and directed by Duvall, Assassination Tango is a wonderfully eccentric piece of filmmaking -- to demand it cohere to formula would be to miss the point.
At age 72, Robert Duvall has pretty much earned the right to do whatever the hell he wants. Assassination Tango is exactly that: whatever the hell he wants.
Take Duvall out of the picture and let this family demonstrate the tango, and you'd have a terrific movie.
Francis Ford Coppola suggested to his friend that he combine his love of tango with his love of filmmaking. The story doesn't seem to be thought out much beyond that.
Another exquisite film written and directed by Duvall (The Apostle) ... [its tango numbers] are magical moments of sheer joy.
Robert Duvall should have stuck to the tango because the hit man aspect misses the target.
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