I can’t say for sure what the 'Requiem' in the film’s title refers to, though we can only hope it means it will be the last in the series.
Aliens Vs. Predator: Requiem (2007)
Tomatometer
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Reviews Counted:67
Fresh:9
Rotten:58
Average Rating:3.2/10
Consensus: The increased gore and violence over the first Alien vs. Predator can't excuse Requiem's disorientating editing, excessively murky lighting, and lack of new ideas.
Rated: R [See Full Rating] for violence, gore and language.
Runtime: 1 hr 45 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Dec 25, 2007 Wide
Box Office: $41,668,854
Synopsis: ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America,... ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don’t seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator’s home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses‘ adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn’t over yet. [More]
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade, Johnny Lewis
Director: Brothers Strause
Director: Brothers Strause
Screenwriter: Shane Salerno
Producer: John Davis, David Giler, Walter Hill
Composer: Brian Tyler
Studio: 20th Century Fox
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Release:
May 12, 2009
Blu-ray Disc Features:
- 2-Disc Set
- Keep Case
- Full Frame - 1.33
- Widescreen - 1.85
Audio:
- 5.1 DTS HD Master Audio - English
- Disc 1: ALIENS VS. PREDATOR: REQUIEM - Rated; Unrated Versions
Additional Release Material:
- Trailers: 20th Century Fox High Definition Theatrical Trailers
- Alternate Scenes: Deleted Scenes (w/Optional Commentary)
Audio Commentary:
- 1. Colin Strause, Greg Strause - Co-Directors; Shane Salerno - Screenwriter
- 2. Tom Woodruff, Alec Gillis - Special Effects
Interactive Features:
- BD-Live Portal
- D-Box
Text/Photo Galleries:
- Additional Text: Wayland Yutani Archives
- Disc 2: ALIENS VS. PREDATOR: REQUIEM - Digital Copy
Reviews for Aliens Vs. Predator: Requiem
Occasionally, the filmmakers reveal a cheeky willingness to upend genre conventions, particularly when bending the rules regarding who lives and who dies in this sort of pic.
Chocolate-and-peanut-butter franchise mash-up corrects its most recent predecessor's PG-13 rating, but offers up neither originality nor knockout execution.
It may not be classic sci-fi like the original Alien, which it has in its DNA, but it's a perfectly respectable next step in the series.
The action is rendered with such disconcertingly low light levels -- and of course there is heavy rain for the climatic sequences -- that it can be a strain to simply see what is occurring on-screen. Then again, maybe that's for the best.
So lacking in imagination is this movie that the Brothers Strause and writer Shane Salerno keep scrambling back to the original movie for inspiration.
That the first of many rote 'chest-burster' shots occurs 15 seconds into the movie is but one indication of the latest instalment's poverty of fresh shocks and rank air of desperation.
With much of the action taking place at night and in the rain, it’s already difficult enough to tell what’s going on without the tight frames and quick cuts of the battle scenes.
The problems with the movie are twofold and easy to spot: the acting stinks and you can't understand what's going on.
This isn't so much an Alien or Predator styled flick we were all hoping for. Instead, half of the plot plays out like a John Hughes nightmare circa 1988.
Where does this movie rank in the grand pantheon of Alien and Predator movies? Next to last. It's still better than ALIEN RESURRECTION.
It makes Alien Vs. Predator look like Alien or Predator by comparison.
If your ONLY complaint about Alien vs. Predator is that it wasn't graphically violent enough, then you're going to love this movie.
Not good, mind you, but probably about as efficient an example of an unnecessary sequel as was possible under the circumstances.
It's a Wonderful Life is no longer the most depressing Christmas movie ever made.
Despite all its holes in plot and its drive-in theatre shooting style, AVP:R works far better than the first. If you look closely on the end credits, you'll know why. Gone is Paul S.W. X.Y.Z. Anderson.
What better way to celebrate Christ's birth than watching two warring alien races kicking the holy hell out of each other?
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