[A] modest yet infinitely moving film of love, loss and memory.
Away From Her (2007)
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Reviews Counted:137
Fresh:129
Rotten:8
Average Rating:8/10
Consensus: An accomplished directorial debut by Sarah Polley, Away From Her is a touching exploration of the effects of Alzheimer's, in which the tender wisdom of Polley's script is beautifully complemented by a wonderful performance from Julie Christie.
Theatrical Release:May 4, 2007 Limited
Box Office: $15,830,046
Synopsis: Canadian actress Sarah Polley makes an impressive directorial debut with AWAY FROM HER, a film adapted from the Alice Munro story "The Bear Came Over The Mountain." The plot concerns the way in... Canadian actress Sarah Polley makes an impressive directorial debut with AWAY FROM HER, a film adapted from the Alice Munro story "The Bear Came Over The Mountain." The plot concerns the way in which the 50-year marriage of Grant (Gordon Pinsent) and Fiona (Julie Christie) deteriorates with the progression of Fiona's Alzheimer's disease. Rich scenery, intimate cinematography, and familiar songs like Neil Young's "Helpless" create a private world of two people enviably in love. Fiona and Grant have carved out a piece of the world for themselves, and have lived together happily in their later years until Fiona's memory started to wane. The harmony in their lives is lost when Fiona decides she's reached the point of no return and enters a retirement home in order to take the burden off Grant, though he can think of nothing worse than being away from her. After dropping Fiona off, Grant is forced to not visit for 30 days, which, as he fears, ends up feeling much longer in the mind of a person who is losing her memory. AWAY FROM HER features stunning performances from its leads as well as from Michael Murphy as Aubrey (a patient Fiona forms a close bond with), Olympia Dukakis as Aubrey's wife, and Kristen Thomson as a nurse at the facility. Instead of treating old age as the winding down of life, this film portrays it as a potentially rich, enjoyable period. Grant and Fiona never yearn for the days of their youth, but rather for the later years when their intimacy had reached a higher peak. While so many films portray older characters in a one-dimensional way, Polley's film portrays its characters as multifaceted people filled with wisdom and true beauty, thanks to their age and not in spite of it. [More]
Starring: Julie Christie, Olympia Dukakis, Gordon Pinsent, Michael Murphy
Starring: Julie Christie, Olympia Dukakis, Gordon Pinsent, Michael Murphy, Wendy Crewson, Kristen Thomson, Alberta Watson
Director: Sarah Polley
Director: Sarah Polley
Screenwriter: Sarah Polley
Producer: Simone Urdl, Jennifer Weiss, Daniel Iron
Composer: Jonathan Goldsmith
Studio: Lions Gate Films
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Reviews for Away From Her
Rarely has love at any age been depicted so honestly on screen. For such a fully realized portrait to be created by a 28-year-old first-time director is even more remarkable.
Represents one of the few clear-headed, uncompromising looks at [Alzheimer's] and its impacts.
Straightforward but not detached, touching but not maudlin, it's an honestly moving, if modest, portrait of a marriage affected by a terrible wasting disease.
Under Polley's polished direction, the actors deliver superlative performances.
The movie, [Sarah] Polley’s feature début, is a small-scale triumph that could herald a great career.
What distinguishes Away from Her, and elevates it from the mawkish, is its perfectly chosen cast--especially Julie Christie.
When it comes to Away from Her, the overused, abused adjective cannot be avoided: it is a great film.
For a story with only one possible outcome, [i]Away From Her[/i] is full of twists and turns.
There is real grace in Polley's portrait of a couple that stays together long enough to forget.
As terrific as Christie's performance is, it's the superb Pinsent who's left to register most of the internal emotional turbulence as a reserved man who no longer shares a past with the woman he's spent his life with.
Who knew in actor Sarah Polley -- a persuasive club kid in Go and zombie killer in Dawn of the Dead -- lurked the directorial spirit of an up-and-coming Bergman?
Mostly, it's a subdued, well-shot character study that observes rather than dictates emotions.
A feature film that's often astringent on the surface, yet deeply and memorably stirring.
Does the finest job of any film in painting a believable portrait of aging, capturing the sadness, confusion, anxiety and defiance of the early stages of dementia.
Polley reveals herself to be a true talent. She's an intelligent, sensitive filmmaker who clearly belongs on both sides of the camera.
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