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Reviews Counted:15

Fresh:11

Rotten:4

Average Rating:6.4/10

Rated: R [See Full Rating] for language.

Theatrical Release:Mar 31, 2006 Limited

Synopsis: On October 9, 2004, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden. These 50 different passionate perspectives,... On October 9, 2004, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden. These 50 different passionate perspectives, shot from the point-of-view of the audience, take the viewer deep inside the world of a live Beastie Boys show, prismatically and kinetically capturing the experience of a live musical performance like no film has ever done. AWESOME; I FUCKIN' SHOT THAT! is a cinematic celebration starring, Mike D (Michael Diamond), Adrock (Adam Horovitz), and MCA (Adam Yauch) as the Beastie Boys; along with other special appearances by other special guests who are special, especially the camera operators who were especially special. The film was photographed, as director Nathanial Hörnblowér says, by "a bunch of untrained camera operators. But that gives the film sincerity. The people that shot it, were feeling it." --© THINKFilm [More]


Studio: ThinkFilm

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1 - 15 (sorted by date)
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The result, although a great idea, doesn't translate into a great movie.

Full Review Source: San Francisco Chronicle | comment Comment
03/31/06
Neva Chonin
Neva Chonin
San Francisco Chronicle
Top Critic Icon Top Critic

This jumpy, slap-happy and loud historical document (the performance is from Oct. 9, 2004) should satisfy Beastie Boy fans and the 50 untrained shooters whose footage is deployed.

Full Review Source: Philadelphia Inquirer | comment Comment
03/31/06
Steven Rea
Steven Rea
Philadelphia Inquirer
Top Critic Icon Top Critic

The novelty of the deliberate ugliness wears off after a song or two.

Full Review Source: New York Post | comment Comment
03/31/06
Kyle Smith
Kyle Smith
New York Post
Top Critic Icon Top Critic

It's the next best thing to being front and center.

Full Review Source: New York Daily News | comment Comment
03/31/06
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News
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Shot from nearly every imaginable vantage point in the Garden, the film gives a pretty good idea of what it might have been like to be there.

Full Review Source: Los Angeles Times | comment Comment
03/31/06
Kevin Crust
Kevin Crust
Los Angeles Times
Top Critic Icon Top Critic

This one's in-your-face, of the moment, and filmed from the trenches. It's raucous and loud as hell; the hyperactive editing could trigger grand mal seizures. It's a Beastie Boys concert movie -- what did you expect?

Full Review Source: Boston Globe | comment Comment
03/31/06
Ty Burr
Ty Burr
Boston Globe
Top Critic Icon Top Critic

A Beastie Boys concert is filtered through the giddy, spastic, amateur photography of 50 fans lent video cameras in this hyperactive exercise in democratic documentary.

Full Review Source: New York Times | comment Comment
03/30/06
Nathan Lee
Nathan Lee
New York Times
Top Critic Icon Top Critic

A killer concert film, an ecstatic testament to the joys of fandom and a tribute to the democratizing potential of moviemaking technology.

Full Review Source: Washington Post | comment Comment
03/30/06
Ann Hornaday
Ann Hornaday
Washington Post
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A swirling, kaleidoscopic take on a familiar concept, and a raucous, you-are-there atmosphere.

Full Review Source: Chicago Tribune | comment Comment
03/30/06
Jessica Reaves
Jessica Reaves
Chicago Tribune
Top Critic Icon Top Critic

All the digital footage has been manipulated within an inch of its life, the result being close to the same film that would have been made had real cinematographers shot it. Of course, real cinematographers would have insisted on being paid.

Full Review Source: Newsday | comment Comment
03/30/06
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

No new ground is broken here. From a cinematic point of view, Awesome represents simply a monumental postproduction salvaging effort.

Full Review Source: Hollywood Reporter | comment Comment
03/30/06
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
Top Critic Icon Top Critic

The editing, and the psychedelic tinting, perfectly captures the Beasties' relentless groove, and there are any number of funny diversions.

Full Review Source: Entertainment Weekly | comment Comment
03/29/06
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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The concert comes off like a blast.

Full Review Source: Village Voice | comment Comment
03/28/06
Laura Sinagra
Laura Sinagra
Village Voice
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Get ready to be shaken and stirred.

Full Review Source: Rolling Stone | comment Comment
03/21/06
Peter Travers
Peter Travers
Rolling Stone
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This isn't good cinematography by any formal standard, as the operators are amateurs; shots frequently bounce to the beat. But the sense of immediacy and excitement is contagious.

Full Review Source: Variety | comment Comment
01/23/06
Dennis Harvey
Dennis Harvey
Variety
Top Critic Icon Top Critic
 
 
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