The result, although a great idea, doesn't translate into a great movie.
Tomatometer
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Reviews Counted:15
Fresh:11
Rotten:4
Average Rating:6.4/10
Rated: R [See Full Rating] for language.
Theatrical Release:Mar 31, 2006 Limited
Synopsis: On October 9, 2004, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden. These 50 different passionate perspectives,... On October 9, 2004, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden. These 50 different passionate perspectives, shot from the point-of-view of the audience, take the viewer deep inside the world of a live Beastie Boys show, prismatically and kinetically capturing the experience of a live musical performance like no film has ever done. AWESOME; I FUCKIN' SHOT THAT! is a cinematic celebration starring, Mike D (Michael Diamond), Adrock (Adam Horovitz), and MCA (Adam Yauch) as the Beastie Boys; along with other special appearances by other special guests who are special, especially the camera operators who were especially special. The film was photographed, as director Nathanial Hörnblowér says, by "a bunch of untrained camera operators. But that gives the film sincerity. The people that shot it, were feeling it." --© THINKFilm [More]
Studio: ThinkFilm
Reviews for
This jumpy, slap-happy and loud historical document (the performance is from Oct. 9, 2004) should satisfy Beastie Boy fans and the 50 untrained shooters whose footage is deployed.
The novelty of the deliberate ugliness wears off after a song or two.
Shot from nearly every imaginable vantage point in the Garden, the film gives a pretty good idea of what it might have been like to be there.
This one's in-your-face, of the moment, and filmed from the trenches. It's raucous and loud as hell; the hyperactive editing could trigger grand mal seizures. It's a Beastie Boys concert movie -- what did you expect?
A Beastie Boys concert is filtered through the giddy, spastic, amateur photography of 50 fans lent video cameras in this hyperactive exercise in democratic documentary.
A killer concert film, an ecstatic testament to the joys of fandom and a tribute to the democratizing potential of moviemaking technology.
A swirling, kaleidoscopic take on a familiar concept, and a raucous, you-are-there atmosphere.
All the digital footage has been manipulated within an inch of its life, the result being close to the same film that would have been made had real cinematographers shot it. Of course, real cinematographers would have insisted on being paid.
No new ground is broken here. From a cinematic point of view, Awesome represents simply a monumental postproduction salvaging effort.
The editing, and the psychedelic tinting, perfectly captures the Beasties' relentless groove, and there are any number of funny diversions.
This isn't good cinematography by any formal standard, as the operators are amateurs; shots frequently bounce to the beat. But the sense of immediacy and excitement is contagious.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| | Before Tomorrow | 12/2 |
| | Film Ist: A Girl & A Gun | 12/2 |
| | Brothers | 12/4 |
| | Everybody's Fine | 12/4 |
| | Armored | 12/4 |
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