Ultimately fails to deliver on the audacity of its premise.
The Babysitters (2008)
Tomatometer
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Reviews Counted:26
Fresh:8
Rotten:18
Average Rating:4.4/10
Consensus: Though built on an audacious and controversial premise, Babysitters teeters between exploitation and grossness due to uneven execution.
Rated: R [See Full Rating] for disturbing strong sexual content, language and some drug use - involving teens.
Runtime: 90 mins
Genre: Comedies
Theatrical Release:May 9, 2008 Limited
Synopsis: In this dark comedy, Shirley Lyner (Katherine Waterston) may be just 16 years old, but she's smart. However, instead of just using her intelligence to get into college, she's started her own... In this dark comedy, Shirley Lyner (Katherine Waterston) may be just 16 years old, but she's smart. However, instead of just using her intelligence to get into college, she's started her own business that may help pay her way through school. She discovers that babysitters can make more money entertaining horny fathers than just watching kids, and soon she has a group of seductive teens in her employ. But even though Shirley is mature for her age, she soon realizes that her business may be too much for her to handle. John Leguizamo stars as the first father to sample Shirley's wares, and SEX AND THE CITY's Cynthia Nixon plays Shirley's mother. [More]
Starring: John Leguizamo, Katherine Waterston, Cynthia Nixon, Andy Comeau
Starring: John Leguizamo, Katherine Waterston, Cynthia Nixon, Andy Comeau, Denis O'Hare
Director: David Ross
Director: David Ross
Screenwriter: David Ross
Producer: John Leguizamo, Kathy DeMarco, Cora Olson, Jennifer Dubin, Jason Dubin
Composer: Chad Fischer
Studio: Peace Arch Entertainment
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Reviews for The Babysitters
Their customers are awkward enough that we're able to believe the girls are in control, or at least aware that they're the highlight of the men's week.
It's bad enough that writer-director David Ross indulges in the very perverse kind of Lolita-tinged titillation the film pretends to lament, but then he ties everything up with an oh-well shrug.
Writer/director David Ross crosses a line into gratuitous exploitation by accentuating semi-pornographic settings to incite mixed emotions. The sensual side effect could work as a way of bringing an audience into the story's cruel discussion on human natu
There's little real wit here and, as far as teen-chick antics go, it's definitely no Heathers or Clueless, not even Cruel Intentions.
Is Ross trying to mimic Michael Haneke, daring his audience to be disgusted by the very titillating premise which probably brought them to the movie in the first place?
Like the pilot for an awful, misguided joint venture between FX and the CW.
Debut director David Ross's provocative debut puts us squarely into the lives of financially strapped high school girls who find that the end (paying for college) justifies the means.
It reads like a Cinemax special event, and as good as Leguizamo and Waterston (daughter of Sam) are, the skeevy, fantasy-fulfillment plot that drives David Ross' movie is uncomfortably risky business.
Despite the racy content and the alarmist 18A classification, The Babysitters is a remarkably restrained and decent film. It's polished, smoothly edited and shot with simple elegance.
David Ross's stylishly tawdry black comedy fits neatly between Heathers and American Beauty. The Babysitters Club this ain't.
I'd call it a depressing soft-core porn flick, but that overstates its titillation factor. Mainly it's just icky.
You can see the potential in this off-kilter coming-of-age story, and it's a pity it never quite adds up.
The film remains engaging in no small part because of the beguiling and enigmatic performance of [Katherine] Waterston, daughter of Law & Order star Sam Waterston.
By undermining the subtle feminism of his movie, [director] Ross ends up undermining the whole thing, culminating in a terrifying parking-lot scene that doesn’t quite make sense.
Daddies, don't let your daughters grow up to be babysitters, because according to The Babysitters, it's a gateway to whoredom.
The premise is out of '70s porn, and so is the overbroad satire and almost total lack of conviction.
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