A nerve-shredding masterpiece.
Bad Day at Black Rock (1954)
Tomatometer
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Reviews Counted: 21
Fresh: 20
Rotten:1
Average Rating: 8.1/10
Runtime: 83 mins
Genre: Dramas
Synopsis: John Sturges's classic, both a tale of grace under pressure and an allegory of McCarthyism, stars Spencer Tracy as John McReedy, a World War II veteran with a crippled arm. His arrival in the tiny... John Sturges's classic, both a tale of grace under pressure and an allegory of McCarthyism, stars Spencer Tracy as John McReedy, a World War II veteran with a crippled arm. His arrival in the tiny southwestern whistle-stop of Black Rock in 1945 evokes fear and suspicion in its few inhabitants; no stranger has appeared in town for four years. When he tries to check into the hotel, he's denied a room. When McReedy insists on going up to one of the rooms, Hector (Lee Marvin), a menacing cowpoke, follows him and tries to bait him into fighting but fails. McReedy's request for information about Komoko, the Japanese farmer he's seeking, is met with silence by the frightened sheriff (Dean Jagger). Town boss Reno Smith (Robert Ryan), who's already having McReedy investigated, feigns hospitality while informing McReedy that Komoko left town long ago. McReedy rents a Jeep and rides out to Komoko's abandoned farm only to find a grave. Since he was surveilled by Coley (Ernest Borgnine), one of Smith's goons, McReedy must deal with the worst when he gets back to Black Rock. One of the best films of the 1950s, the tense, atmospheric story, which is exceptionally well acted by Tracy and an all-star cast of supporting players, garnered an Academy Award nomination for director Sturges. [More]
Starring: Spencer Tracy, Robert Ryan, Ernest Borgnine, Lee Marvin
Starring: Spencer Tracy, Robert Ryan, Ernest Borgnine, Lee Marvin, Anne Francis, Walter Brennan, Dean Jagger, John Ericson, Russell Collins, Andre Previn
Director: John Sturges
Director: John Sturges
Producer: Dore Schary
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Reviews for Bad Day at Black Rock
Tracy is at his subdued, thoughtful best, while Ryan perfectly conveys the ignorance behind racial prejudice and Borgnine and Marvin are memorable heavies.
Considerable excitement is whipped up in this suspense drama, and fans who go for tight action will find it entirely satisfactory.
Nicely put together by Sturges, its suspense derives largely from the excellent performances and imaginative use of the 'Scope frame by cameraman William C Mellor.
Like High Noon, this is a self-conscious genre picture, a modern version of the traditional Western used to tackle the problem of racism in general and discrimination against Japanese-Americans in particular.
...watching this set of actors go at it with each other, with Tracy as the calm center of gravity, is impressive.
Bad Day at Black Rock is a tightly knit classic that helps one to admire the continuing power of good movies.
Superb, if it weren't, as we said, for the too-obvious liberal teachings that interrupt the terrific ation.
A highpoint in the careers of everyone involved, Bad Day At Black Rock deserves to be ranked alongside the very best modern westerns.
Slowly, through a process of guarded discourse, which Director John Sturges has built up by patient, methodical pacing of his almost completely mate cast, an eerie light begins to glimmer.
There is absolutely nothing in [John Sturges'] background that would suggest he would make such a contrarian film.
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