Average Rating: 5.4/10
Reviews Counted: 96
Fresh: 46 | Rotten: 50
Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
Average Rating: 5.5/10
Critic Reviews: 32
Fresh: 16 | Rotten: 16
Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
liked it
Average Rating: 3.6/5
User Ratings: 7,798
Writer and director Spike Lee casts his satiric gaze on racism in American television and how America's racist past still impacts the present in this biting comedy. Pierre Delacroix (Damon Wayans) is an astute, Harvard-educated African-American writer working for an independent television network who is assigned to brainstorm a new show for the African-American audience. Delacroix is the only black writer on the network's staff, and the longer he works under Dunwitty (Michael Rapaport), the
Oct 6, 2000 Limited
Apr 17, 2001
$1.9M
New Line Cinema
All Critics (97) | Top Critics (32) | Fresh (48) | Rotten (50) | DVD (17)
This is basically sloppy, all-over-the-map filmmaking with few hints of self-criticism and few genuine laughs.
If Mr. Lee meant to bring back blackface entertainment as a metaphor for the current black performers he finds obnoxious, he has miscalculated.
At his best, Spike Lee is too brave to be subtle.
You won't look at race onscreen the same way again.
Poor Mantan Moreland and Hattie McDaniel and all the rest are made to take the rap in this movie for contributing to a legacy of racist degradation. One would think, given what they were up against, that a bit more sympathy might be shown to these people.
Subtlety, thy name is not Spike Lee.
Provocative Spike Lee movie for older teens.
Lee, in his least commercial film, shoots for controversy but loses focus.
Spike Lee's shotgun attack on the treatment of blacks in television and the blurring of image and identity is a brilliant rant that digresses into repetitive sermonizing.
A particularly painful mess, because it begins so well and has such promise.
...where most of us in his audience will lean forward to hear a whisper, we turn away from a shout. Oh, how Bamboozled shouts.
Lee's satire on American TV is an intriguing failure.
The director's new masterpiece is a summation of nearly everything he has learned as a filmmaker, and about black culture, but he doesn't feel the need to beat the audience over the head for each lesson he's trying to impart.
Lee's basing the movie in satire was a smart move because in it he can push the envelope harder than drama or straight comedy would have allowed.
He hammers his point home until the viewer is emotionally beaten into submission and manipulated into a consenting stance.
Spike Lee has made one of the few films in the year 2000 that is actually about something, and for that he deserves great credit.
Extremely heavy-handed satire from director Spike Lee -- disturbing and thought-provoking but ultimately lacking a sense of focus.
A passionate movie bursting with ideas, but it's also a huge mess.
Spike Lee's back, with a vengeance.
Empty-headed and unspeakably undisciplined... [the] question bears asking: Has Spike Lee -- the living, breathing antithesis of subtlety -- gone completely insane?
At this point in Spike Lee's career, it's almost at a point where enough is enough. His heavy handed messages about racism are sometimes very well done and effective, but other times they are bland and as ridiculous as this. The only thing that's really interesting about this is the audience reaction to blackface,
February 21, 2011Super Reviewer
Spike Lee delivers an intentionally shocking and racist film that winds up being shockingly racist in unintentional ways. Damon Wayans plays either an erudite and well-spoken television producer, or an erudite and well-spoken muppet, judging by his accent. He works for an exploitive tv network that's not interested
March 6, 2010Super Reviewer
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