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Bamboozled (2000)



Average Rating: 5.4/10
Reviews Counted: 96
Fresh: 46 | Rotten: 50

Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.


Average Rating: 5.1/10
Critic Reviews: 34
Fresh: 15 | Rotten: 19

Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.



liked it
Average Rating: 3.6/5
User Ratings: 8,135

My Rating

Movie Info

Writer and director Spike Lee casts his satiric gaze on racism in American television and how America's racist past still impacts the present in this biting comedy. Pierre Delacroix (Damon Wayans) is an astute, Harvard-educated African-American writer working for an independent television network who is assigned to brainstorm a new show for the African-American audience. Delacroix is the only black writer on the network's staff, and the longer he works under Dunwitty (Michael Rapaport), the


Drama, Television, Comedy

Spike Lee

Apr 17, 2001


New Line Cinema - Official Site External Icon

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All Critics (99) | Top Critics (34) | Fresh (46) | Rotten (50) | DVD (18)

This is basically sloppy, all-over-the-map filmmaking with few hints of self-criticism and few genuine laughs.

September 23, 2008 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

If Mr. Lee meant to bring back blackface entertainment as a metaphor for the current black performers he finds obnoxious, he has miscalculated.

April 27, 2007 Full Review Source: New York Observer
New York Observer
Top Critic IconTop Critic

Lee's satire on American TV is an intriguing failure.

January 26, 2006 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

At his best, Spike Lee is too brave to be subtle.

March 19, 2002 Full Review Source: Globe and Mail
Globe and Mail
Top Critic IconTop Critic

You won't look at race onscreen the same way again.

June 4, 2001
Rolling Stone
Top Critic IconTop Critic

Poor Mantan Moreland and Hattie McDaniel and all the rest are made to take the rap in this movie for contributing to a legacy of racist degradation. One would think, given what they were up against, that a bit more sympathy might be shown to these people.

January 1, 2000 Full Review Source: New York Magazine
New York Magazine
Top Critic IconTop Critic

Provocative Spike Lee movie for older teens.

September 23, 2010 Full Review Source: Common Sense Media
Common Sense Media

Lee, in his least commercial film, shoots for controversy but loses focus.

June 8, 2009 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

Spike Lee's shotgun attack on the treatment of blacks in television and the blurring of image and identity is a brilliant rant that digresses into repetitive sermonizing.

August 7, 2008 Full Review Source: Sacramento News & Review
Sacramento News & Review

A particularly painful mess, because it begins so well and has such promise.

July 23, 2007 Full Review Source:

...where most of us in his audience will lean forward to hear a whisper, we turn away from a shout. Oh, how Bamboozled shouts.

April 6, 2006 Full Review Source:

The director's new masterpiece is a summation of nearly everything he has learned as a filmmaker, and about black culture, but he doesn't feel the need to beat the audience over the head for each lesson he's trying to impart.

December 6, 2005 Full Review Source: Film Threat
Film Threat

Lee's basing the movie in satire was a smart move because in it he can push the envelope harder than drama or straight comedy would have allowed.

January 21, 2004 Full Review Source: Q Network Film Desk
Q Network Film Desk

He hammers his point home until the viewer is emotionally beaten into submission and manipulated into a consenting stance.

May 14, 2003
Palo Alto Weekly

Spike Lee has made one of the few films in the year 2000 that is actually about something, and for that he deserves great credit.

January 10, 2003 Full Review Source: Nick's Flick Picks
Nick's Flick Picks

Extremely heavy-handed satire from director Spike Lee -- disturbing and thought-provoking but ultimately lacking a sense of focus.

October 30, 2002 Full Review Source: ViewLondon

A passionate movie bursting with ideas, but it's also a huge mess.

October 11, 2002 Full Review Source: Combustible Celluloid
Combustible Celluloid

Spike Lee's back, with a vengeance.

September 10, 2002 Full Review Source: Montreal Film Journal
Montreal Film Journal

Empty-headed and unspeakably undisciplined... [the] question bears asking: Has Spike Lee -- the living, breathing antithesis of subtlety -- gone completely insane?

August 30, 2002 Full Review Source: Entertainment Today
Entertainment Today

It is an inspired but difficult film that poses many questions and takes almost everyone to task, yet offers few suggestions as to what is to be done with this infamous legacy.

June 5, 2002 Full Review Source: Boxoffice Magazine
Boxoffice Magazine

By relaxing and opening up his approach just a little he could have said much more.

December 10, 2001 Full Review Source: Shadows on the Wall
Shadows on the Wall

Beyond the strong acting, there's a lack of focus about the Delacroix character.

July 19, 2001 Full Review Source: Apollo Guide
Apollo Guide

Audience Reviews for Bamboozled

For this feature, respected writer/director Spike Lee decided to make a satire concerns race in American culture, specifically television, and how racist imagery of the past still has an effect in the present day.

The broad idea is a fine one, and this is a topic that should be addressed in a film. The major issue I have with this production is in its execution, and a lot of the choices Spike makes.

The story concerns a well to do African American at a tv station who is fed up with his job, and decides to pitch a show idea so offensive, there's no way it will be accepted and air,, and he will be fired. It all backfires on him though, and the resulting fallout has a curious effect on him, the show's cast, other employees, and the viewing audience.

The basic concept is nothugn really new, and the film owes a big debt to Network (which it makes great reference to). No, what bugs me is how the story is told. It is shot on video, giving it a documentary feel, which is okay, but it really makes everything look grainy and cheap, and the impact is lessened as a result. Also, to cause controversy, out Protagonist decides to have the program be a minstrel show set in a watermelon patch.

I get the idea of satire, and purposely playing up buffonery, but come on, there's no way to incorrectly guess how something like this would be received. It's an out of touch and dated reference point, and sure, the film is probably eye opening for a number of people, but it seems like Lee misjudges how many people aren't already aware of the racial issues he brings up. Becuase it seems like he treats the viewers as totally ignorant, this is one of the most unsubtle, heavy handed, overbearing, and exhaustingly repetitive films out there.

It's overlong, and the point gets hammered home really early on, so all the rest is just continual rehashing, and beating the message into people's heads with a sledgehammer. Yes, there are some really great points that are made, and there are some excellent sequences, but this is just way too overblown and tiresome.

It's still a fascinating film, and will make you think, but this really needed to be written and edited a lot better. It does feature some really good performances however, even though Wayans and Rapaport do get a tad obnoxious at times.

All in all, a noble effort, but a bit too flawed for me to really recommend. It does have a great set up though, so it's a shame that the execution isn't as strong or consistent.
March 3, 2012
Chris Weber

Super Reviewer

At this point in Spike Lee's career, it's almost at a point where enough is enough. His heavy handed messages about racism are sometimes very well done and effective, but other times they are bland and as ridiculous as this. The only thing that's really interesting about this is the audience reaction to blackface, that's about it. Everything else presented in this has been done and done better. The really bad comical undertones to the movie only adds to its pointless nature because in the end it all just feels like a bad joke.
February 21, 2011

Super Reviewer

Spike Lee delivers an intentionally shocking and racist film that winds up being shockingly racist in unintentional ways. Damon Wayans plays either an erudite and well-spoken television producer, or an erudite and well-spoken muppet, judging by his accent. He works for an exploitive tv network that's not interested in portraying realistic, positive images of african-americans, so he one day decides to create a show so offensive and over-the-top racist that the network executives will be swarmed with public outcry. His plans misfire when his "minstrel show for the new millenium" becomes a mega-hit, inspiring fans all over the country to don blackface call themselves "real" (n-words). Thrown into the mix is Wayan's personal assistant (Jada Pinkett) and her brother Mau Mau, a militant gangsta rapper, whose african pride seems a little misguided, to say the least. The film certainly starts off amusing, and has great intentions, but somewhere along the line, it loses it's point and focus. Jada Pinkett Smith is either a terrible actress or her character is just blandly awful (probably a little bit of both). I can't imagine this blackface minstrel show would ever be a hit series, as it's simply not very funny in any way (and even for a show about blackface, it goes into cheap and lazy territory). There is a fair point one could make about the idiocy of modern television effectively being just an updated version of a minstrel show, but Bamboozled doesn't go anywhere near that territory. By the end of the film (and I don't feel bad in revealing some spoilers), the film delves into wholly unrealistic gunplay and violence. It's incongruous and cheapens whatever valid points it was trying to make. Bamboozled winds up being a whole lot of unoriginal ideas slapped onto an interesting concept. In fact, the ending material sort of justifies the minstrel shows and demonstrates not a rising above that sort of material, but showing black culture as a whole has denegrated itself still further. Go rent the vastly superior C.S.A.: The Confederate States of America (2004) for a truly satirical look at America's attitude towards race.
March 6, 2010
Mr Awesome
Devon Bott

Super Reviewer

Spike Lee's film is certainly a fascinating premise. A satire of network television's pitfalls and prejudices, a peek into the way blacks have been represented historically in the media, and the ways in which they have sought to redress the cultural balance (there's a neat look at an extremist hip-hop collective) - it's certainly the nucleus for a meaty and much needed discourse.
January 27, 2008

Super Reviewer

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