One of Godard's most open and enjoyable films.
Band of Outsiders (1964)
Tomatometer
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Reviews Counted:39
Fresh:37
Rotten:2
Average Rating:7.8/10
Runtime: 1 hr 37 mins
Genre: Foreign Films
Synopsis: French New Wave master Jean-Luc Godard continues his fascination with dime store novels and American crime films with 1964's BAND OF OUTSIDERS, a free-spirited romp in the same vein as the... French New Wave master Jean-Luc Godard continues his fascination with dime store novels and American crime films with 1964's BAND OF OUTSIDERS, a free-spirited romp in the same vein as the director's breakthrough smash, BREATHLESS. More traditional than BREATHLESS in its technical execution, BAND OF OUTSIDERS sparkles with freshness and originality--it uses comical, poetic narration by Godard himself, and has a bouncy musical score by Michel Legrand. The performances from Claude Brasseur, Sami Frey, and especially Anna Karina combine satirical melodrama, overflowing hipness, and moving sincerity, giving the film plenty of heart. An irreplaceable contribution to 1960s film, this movie is much more than a mere genre reworking. The story follows two friends, Arthur (Claude Brasseur) and Franz (Sami Frey), who are searching for a way to make a big score. When Franz meets the beautiful Odile (Anna Karina) and she informs him of a large chunk of cash her aunt keeps hidden in her house, the duo are convinced that this is their lucky break. Odile is a sensitive young woman who, out of fear and guilt, opposes their plan, but Arthur and Franz coax her to go along with the idea. When the time comes to pull off the heist, a miscalculation delays the seemingly perfect plan, resulting in a confrontation that has dire consequences. [More]
Starring: Anna Karina, Sami Frey, Claude Brasseur, Ernest Menzer
Starring: Anna Karina, Sami Frey, Claude Brasseur, Ernest Menzer, Chantal Darget
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Composer: Michel Legrand
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Reviews for Band of Outsiders
One must remember that even a lesser Godard is likely to be much more stimulating than another director's better films.
One of Godard’s most accessible pictures. A good place to learn how much of a debt modern cinema owes him.
An early masterpiece from Godard, trail-blazing, involving and charmingly enjoyable.
Along with Raoul Coutard's radiant cinematography, what makes the film extraordinary is Karina.
Perhaps Godard's loveliest movie, certainly his tenderest and most accessible.
A pair of set pieces -- the trio dancing in unison in a bar and their famous 9-minute, 43-second run through the Louvre -- make the movie worthwhile alone, but the disjointed, meandering, and somewhat random narrative isn't anything to write home about.
This great film is ultimately only gently reproachful of the corrosive effects of American pop culture on our sensibilities
This 1964 feature remains one of Godard's most appealing and underrated films, relatively relaxed and strangely optimistic.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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