The film succeeds because of the nuanced performances of its superb cast, and because of Kolirin's witty visual compositions.
The Band's Visit (2007)
Tomatometer
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Reviews Counted:110
Fresh:108
Rotten:2
Average Rating:7.9/10
Consensus: The Band's Visit is both a clever, subtle slice-of-life comedy, and poignant cross-cultural exploration.
Rated: PG-13 [See Full Rating] for sexual content, thematic material and brief strong language.
Runtime: 89 mins
Genre: Foreign Films
Theatrical Release:Feb 8, 2008 Limited
Box Office: $3,002,385
Synopsis: Israeli filmmaker Eran Kolirin's debut feature, THE BAND'S VISIT, is a subtle, heartfelt, and humane work that goes a long way toward dissolving the incredibly complex cultural divide that... Israeli filmmaker Eran Kolirin's debut feature, THE BAND'S VISIT, is a subtle, heartfelt, and humane work that goes a long way toward dissolving the incredibly complex cultural divide that continues to plague the Middle East. When the Alexandria Ceremonial Police Orchestra flies from Egypt to Israel to perform at the opening of an Arab culture center, they are left stranded at the airport. Their leader, Tewfiq (Sasson Gabai), orders the handsome violinist, Khaled (Saleh Bakri), to solve their predicament, but it turns out that he's gotten the wrong information. By that time, it's too late. All eight members are left standing alone in a quiet desert town far from their intended destination with no way to get where they need to go. Tired, hungry, and confused, they find shelter at a restaurant run by the pretty but brash Dina (Ronit Elkabetz). It's clear that Dina is bored with her lonely life, so she talks Tewfiq into letting the band stay over for the night: he and Khaled will stay with her, and the others will be put up at the home of Itzik (Rubi Moscovich). Over the course of the night, Tewfiq and Dina bond, Khaled helps a hapless local discover his inner Romeo, and the other band members find themselves caught up in a domestic situation that is less than perfect. Kolirin perfectly navigates his film's slice-of-life tone, blending comedy and drama and poignancy without ever succumbing to one completely. In the wrong hands, this material could turn into a quirk-fest that parodies everyday life. Yet under Kolirin's assured command, it becomes something that feels like life itself. THE BAND'S VISIT is funny, lonely, inspiring, sad, and beautiful all at once. [More]
Starring: Sasson Gabai, Ronit Elkabetz, Saleh Bakri, Khalifa Natour
Starring: Sasson Gabai, Ronit Elkabetz, Saleh Bakri, Khalifa Natour
Director: Eran Kolirin
Director: Eran Kolirin
Screenwriter: Eran Kolirin
Producer: Eilon Ratzkovsky, Ehud Bleiberg, Yossi Uzrad, Koby Gal-Raday, Guy Jacoel
Composer: Habib Shehadeh Hanna
Studio: Sony Pictures Classics
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Release:
Jul 29, 2008
Reviews for The Band's Visit
The kind of film that will appeal to patient viewers: charming, low-budget whimsy with a soupcon of political relevance. The music is lovely too.
In turns tender and awkward yet always with an eye towards the universal language of hope.
A little picture in the best sense of the term, it's filled with small but telling moments and richly drawn characterizations.
The formality and the deliberate pace suggest the influence of Laurel and Hardy and Jacques Tati...
Those who like their comedy, romance, and tragedy in quiet doses should enjoy this textured story.
A drama about isolation and communication, The Band's Visit is characterized both by strongly delineated characters and low-key comedy.
Even with the subtitles, The Band's Visit isn't that far removed from a CBS TV movie...at least it knows not to overstay its welcome.
There's nothing subtle about the lesson in human-to-human detente in a sea of hostility. It's a nice try, if a bit over-rated.
A deeply spiritual comedy about the bridge-making capacities of hospitality and the way music serves as universal language that draws people together.
It's a small, profoundly satisfying movie that keeps echoing long after it's over.
Arab-Israeli relations get the warm fuzzy treatment in The Band’s Visit, a wonderfully appealing Israeli film that should have been up for a foreign-language Oscar.
One of the film's prime strengths is its wordless willingness to let the principal characters express themselves through music and mime to overcome cultural barriers. [DVD]
The laughter, I think, comes from a recognition of the shape of our own regrets.
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