The Bang Bang Club Reviews
Super Reviewer
Super Reviewer
Super Reviewer
Overall, this is a decent film, but it doesn't quite live up to its potential to be great. The film is rather unbalanced in that it focuses far more on two of the guys instead of giving all four of them equal amounts of development, and also that it seems to run of out steam part way through, which is a shame because it starts off pretty decently. It doesn't totally fall apart by the end, but it definitely feels like thigns are running on fumes. Also, even though I don't always mind adding in material for dramatic purposes, it wasn't necessary here as there's already pelnty of drama in the real story.
A better job of establishing the context and background for the events would have been nice as well, but I had some idea of that sort of stuff, though I had no knowledge of these four men prior to seeing this film. Still though, the film is shot decently, and there's some godo performances here, especially from Ryan Phillippe and Taylor Kitsch.
All in all, a well meaning film about an important subject that is passabel enough, yet not quite worthy of getting a full on recommendation.
Super Reviewer
Super Reviewer
Based on a true story, "The Bang Bang Club" is an absorbing look at war photographers and the dangers they face. Complicating matters is when they become the news themselves. What the movie is interested in more than anything else, is the haunting photographs they produce. While the movie has a neat way with building a scene from peace to conflict to violence, it can also be patient enough to just leave the camera on a distraught father. So as you can see the story is more downbeat than one would expect, set during the dying days of Apartheid which the movie provides a couple of new angles on. On the other hand, I do not think we are seeing the full force of South African government censorship of the time, even as it is implied that the authorities approved of stories of black on black violence to advance its agenda, leaving non-approved photos to be sold overseas where, as Robin puts it, is where the real money is.
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
(2010) The Bang Bang Club
DOCU-DRAMA
What Tom Cruise is to "Top Gun" is what Ryan Phillipe is to "The Bang Bang Club" - with the only thing going for it is that this one is supposedly based on fact.
The dramatization of young white yuppie- looking photographers taking pictures during one of Africa's worst when Mandela became President causing many heated civil war clashes- some more shocking than others. The term "the bang bang club" is just a figure of speech focusing a small group of 4 photographers which also includes besides Phillipe, Taylor Kitsch as Carter, Frank Rautenbach as Ken and Neels VanJaarsveld as Joao Silva. Based on the book written by Greg Marinovich and João Silva with Ryan Phillipe as Greg, co-adapted the screenplay and directed by Steven Silver this film is filled with many silly one liners as well as unrealistic interaction moments that can make anyone cringe. Phillipe is not a credible actor in this nor much of film's situations meaning that it doesn't seem 'real' but rather pretentious.
There's only two "almost" authentic scenes throughout which also includes the end showcasing the real so-called 'the bang bang club' including actual photographs which it could've been intriguing- but overall a meh. Watch 1985 "Salvador" starring James Woods or 1983 "Under Fire" starring Gene Hackman instead.
2 out of 4 stars for the effort
Super Reviewer
Based on a true story, "The Bang Bang Club" is an absorbing look at war photographers and the dangers they face. Complicating matters is when they become the news themselves. What the movie is interested in more than anything else, is the haunting photographs they produce. While the movie has a neat way with building a scene from peace to conflict to violence, it can also be patient enough to just leave the camera on a distraught father. So as you can see the story is more downbeat than one would expect, set during the dying days of Apartheid which the movie provides a couple of new angles on. On the other hand, I do not think we are seeing the full force of South African government censorship of the time, even as it is implied that the authorities approved of stories of black on black violence to advance its agenda, leaving non-approved photos to be sold overseas where, as Robin puts it, is where the real money is.
