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Bang Rajan (2004)
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Reviews Counted: 29
Fresh: 20
Rotten:9
Average Rating: 6.1/10
Theatrical Release:Aug 6, 2004 Limited
Synopsis: Oliver Stone presents a beautiful and violent Thai film; the true story of a rural 18th century Siamese village that managed to battle an army of 100,000 invading Burmese soldiers to a standstill... Oliver Stone presents a beautiful and violent Thai film; the true story of a rural 18th century Siamese village that managed to battle an army of 100,000 invading Burmese soldiers to a standstill for five months. When Bang Rajan's fearless warrior chief (Chumporn Taephitak) is wounded in battle, the men of the village elect a mighty rogue fighter who has been making raids on Burmese supply lines, Chan (Jaran Ngamdee), to step in and guide them. Along with the village's sage Buddhist priest (Teerayuth Pratyabamrung), Chan inspires the villagers to new heights of courage. In between bouts of bloodshed there are some subplots. One concerns the wife (Bongkod Kongmalia) of one of the mightiest fighters, Nai In (Winai Kraibutr). She learns she's pregnant, and fears her husband will lose his fighting spirit if he finds out. In another, a young warrior named Muang (Atthakorn Suwannaraj) fights to impress the chief's warrior daughter (Soontree Maila-or). The camera prowls continually among the lush greenery of the Asian jungle, and the beautiful faces and bodies of its people, drawing the viewer deeply into the sense of community, time, and place. The battle scenes are intense, lengthy, and horrific. With its lush cinematography, haunting music, and ensemble of uniformly strong performances, BANG RAJAN deserves a place next to SAVING PRIVATE RYAN and BRAVEHEART in the pantheon of great historical films about war and sacrifice. [More]
Starring: Winnai Kraibutr, Jaran Ngamdee, Bin Banleurit, Teerayuth Pratyabamrung
Starring: Winnai Kraibutr, Jaran Ngamdee, Bin Banleurit, Teerayuth Pratyabamrung, Chumporn Taephitak, Atthakorn Suwannaraj, Bongkod Kongmalai, Soontree Maila-or
Director: Thanit Jitnukul
Director: Thanit Jitnukul
Screenwriter: Kongat Komsiri, Boontin Tuaykaew, Patikarn Petchmunee, Thanit Jitnukul, Sittipong Mattanavee
Producer: "Uncle" Adirek Wateela
Composer: Chatchai Pongprapaphan
Studio: Magnolia Pictures
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Reviews for Bang Rajan
The buffalo are big, the battles brutal and bloody in this gritty Thai epic - but unfortunately the characters are too blank to be interesting.
The acting is facial-expressions- visible-from- 100-feet overdone and the choppy editing makes for awkward storytelling. However, the battle scenes, which make up at least half the movie, are killer.
It's far too bloody for the art house crowd and too leisurely paced and obscure for more general audiences.
Jitnukul can direct action, and every slice of the blade, thwack of the arrow and the glistening of sweat on near-naked bodies makes Bang Rajan a mostly pleasurable diversion.
From the first battle to the heartrending climax, you will emerge feeling dirty and scarred.
It's a humid, rough-edged epic that occasionally finds startling beauty amid devastating carnage.
The thuddingly blunt epic is obvious and intermittently clumsy... yet winning in its own charmingly naive right.
At two hours, it tests the stamina of even the most ardent action movie fan.
Jitnukul serves up heaping plates of history and entertainment with this tremendously exciting epic set on the eve of Bangkok's destruction by Burmese forces.
Features scrumptious-looking jungle battles, with a cast of thousands -- not to mention elephants and water buffalo.
While co-writer/director Tanit Jitnukul's vision is unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
Plucked from its cultural context, Bang Rajan is being offered to American audiences as another example of Asian extreme action movies, and gore hounds will find it gratifyingly full of spurting blood and flying limbs.
The story suggests a more violent Seven Samurai, full of jungle mayhem and eloquently filmed action-movie suspense.
It becomes, after a while, little more than a mind-numbing bloodbath.
Even without deep knowledge of Thai politics and history, fans of war pictures will be impressed by Jitnukul's achievement in creating a detailed and graphic, if overheated, account of this ultimate underdog story.
The noncombative scenes can be melodramatic and broadly acted, but that doesn't rob the movie of a certain inherent power.
Yes, Bang Rajan introduces Westerners to a slice of history worth noting, but its stirring lesson is told in a way that's too long, too brutal, and too clunky to recommend enthusiastically.
The dramatic ploy is so disjointing, it's not often clear if Jitnukul's narrative is in the past or present.
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