A movie that you want to get into, whether you can believe it or not.
The Bank (2002)
Tomatometer
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Reviews Counted:35
Fresh:21
Rotten:14
Average Rating:5.7/10
Consensus: This thriller puts an intriguing premise to good use.
Theatrical Release:Oct 25, 2002 Limited
Synopsis: THE BANK is a thriller about banking, corruption and alchemy. Jim Doyle is a maths genius working in the far reaches of fractal theory, searching for a formula that can predict future stock... THE BANK is a thriller about banking, corruption and alchemy. Jim Doyle is a maths genius working in the far reaches of fractal theory, searching for a formula that can predict future stock market crashes. The potential in Jim’s software fires the imagination and greed of Simon O’Reilly, the CEO of Centabank. O’Reilly’s freewheeling management style and negative performance are under attack by the Board of Centabank. He’s looking for the magic bullet to save his skin. Offering Jim access to mainframe computers, O’Reilly lures Jim to work for Centabank. With endless money and resources to play with, Jim perfects his theory. O’Reilly and the bank’s Board of Directors fall under the spell of his system and the wealth it could bring. In this slick corporate world, Jim is drawn to Michelle, a rising Centabank executive. Of all the bank’s problems, none is greater than Centabank’s exposure to massive foreign currency loans. A couple of battlers, Wayne and Diane, have their houseboat operation, funded by an offshore loan, foreclosed by Centabank. With help from a young legal aid lawyer, they take action. Fearing victory will trigger a class action that could ruin Centabank, O’Reilly sanctions a dirty tricks campaign. In this reckless environment, O’Reilly throws all caution aside and bets the bank and his own future on Jim’s genius. In Centabank’s bowels, Jim uses state-of-the-art hardware to fine-tune his program. His work will predict the exact point of the coming market crash. Jim assures Simon it’s foolproof and promises total market domination by Centabank in a single day. But as the stakes mount, mistrust multiplies. While Michelle digs into the archives to find more about Jim’s past, Wayne his personal vendetta against Centabank and Simon O’Reilly. Who is Jim Doyle, and why is he suddenly running the biggest banking scam in decades? The triple witching hour – on October 25 - will trigger the biggest stock market crash ever. At the critical moment, Jim launches his ballistic disc and takes Centabank’s future in his hands. -- © 2001 Arenafilm [More]
Starring: Anthony LaPaglia, David Wenham, Mitchell Butel
Starring: Anthony LaPaglia, David Wenham, Mitchell Butel
Director: Robert Connolly
Director: Robert Connolly
Producer: John Maynard
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Reviews for The Bank
A slick and accomplished little movie about human greed, corporate corruption and, ultimately, revenge served cold.
Chaos theory, fractal geometry, and computer programs named Betsy may not sound like the makings of a good thriller, but once this gets rolling, it builds the suspense right up until the big finale.
Wenham is quietly charismatic as the increasingly mysterious protagonist, while LaPaglia enjoys the lion's share of the best lines as the Gordon Gekko-esque mercenary.
It might not be in the league with Alfred Hitchcock's work, but it stacks up admirably next to David Mamet's best thrillers.
One of the best movies to come out of Australia in the last couple of years.
Though the script's twists and turns are fairly conventional and the Davis subplot is handled in an awkwardly obvious way, first-time feature filmmaker Robert Connolly understands the power of style.
An unpredictable and intense exploration of the predictability of the world when deciphered through mathematics and logic.
It blends an intriguing concept with a suspenseful plot, and the result is a gripping 103 minutes at the movies.
Though The Bank will no doubt make financial types squirm in discomfort at the unsavory depiction of their profession, the banking customers will get a huge kick out of the film's dark wit and ratcheting suspense.
The film is not without its flaws, but it sports a terrific production design that integrates magically into the story -- as well as another top-notch performance by Anthony LaPaglia.
Skillfully combines the seemingly disparate worlds of Frank Capra and Oliver Stone.
As far-fetched as the movie is (neither strand of the story finally adds up), The Bank ... conveys an engaging zest for upper-crust mischief.
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