If your tears flow (which they assuredly will), they will be cathartic tears, tears as much of joy and affirmation as of sadness.
The Barbarian Invasions (2003)
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Reviews Counted:123
Fresh:101
Rotten:22
Average Rating:7.2/10
Consensus: A moving and heart-felt film from director Denys Arcand.
Rated: R [See Full Rating] language, sexual dialogue, and drug content
Runtime: 1 hr 39 mins
Genre: Dramas
Theatrical Release:Nov 21, 2003 Limited
Box Office: $3,292,656
Synopsis: Denys Arcand's THE BARBARIAN INVASIONS is a story about the humor, hope and unspoken bonds that hold family and friends together against the onslaughts of life in our contemporary times. Winner of... Denys Arcand's THE BARBARIAN INVASIONS is a story about the humor, hope and unspoken bonds that hold family and friends together against the onslaughts of life in our contemporary times. Winner of two major awards at the 2003 Cannes Film Festival, the film merges Arcand's alternately witty and tender storytelling style with his most deeply emotional tale to date: that of a father and son who think they have nothing left in common until – hit with a major crisis --they learn to share an insatiable appetite for life. It has been years since Sébastien (Stéphane Rousseau), a wealthy London investment banker, has been home to visit his parents in Canada. He has been avoiding a run-in with his father, Rémy (Rémy Girard), a spirited and lustful Professor of History who long ago divorced Sébastien's loving mother Louise (Dorothée Berryman.) Meanwhile, his sister has left land entirely, sailing across the high seas in a yacht. But when a crisis calls Sébastien home to Quebec, father and son must confront one another at last. Right off the bat, their reunion is a bust. Equally stubborn, the two men cannot see eye to eye. To Sébastien, Rémy is unreasonable and cold. To Rémy, Sébastien is a symbol of the coming “barbarian invasions,” of all the negative changes in the world. But desperate to bring his father some kind of happiness, Sébastien pours his energy into an all-consuming mission: to reunite the “merry band” that marked Rémy's complicated past – friends, colleagues and former mistresses included. In the process, Sébastien discovers more about his father than he ever imagined, more about what he wants and hope for in his own life, and more about the pleasures of wine, women, conversation and the love and compassion of good friends. THE BARBARIAN INVASIONS was awarded both the Best Screenplay Award (for Denys Arcand) and the Best Actress Award (for Marie-Josée Croze, in the role of a young drug addict who offers unusual assistance to Rémy) at the Cannes Film Festival, where it was an audience favorite. Written and directed by Arcand, the film is produced by Denise Robert and Daniel Louis. The cast includes some of Quebec's most beloved and respected actors, including Rémy Girard, Stéphane Rousseau, Dorothée Berryman, Marie-Josée Croze, Dominique Michel, Louise Portal and Yves Jacques. The film also reunites Denys Arcand with cinematographer Guy DuFaux, who shot “The Decline of the American Empire” and brings a new, contemporary look to THE BARBARIAN INVASIONS, as well as editor Isabelle Dedieu and costume designer Denis Sperdouklis. -- © Miramax [More]
Starring: Remy Girard, Stephane Rousseau, Marie-Josee Croze, Dorothee Berryman
Starring: Remy Girard, Stephane Rousseau, Marie-Josee Croze, Dorothee Berryman, Johanne-Marie Tremblay, Pierre Curzi, Yves Jacques, Louise Portal, Dominique Michel
Director: Denys Arcand
Director: Denys Arcand
Screenwriter: Denys Arcand
Producer: Denise Robert, Daniel Louis
Studio: Miramax Films
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Release:
Jul 13, 2004
Reviews for The Barbarian Invasions
A poignant and thoughtful depiction of the need for forgiveness and reconciliation.
Arcand does a fantastic job of establishing these folks to the point where we really feel like we know them...
French-Canadian director Denys Arcand revisits the aging intellectuals from The Decline of the American Empire -- and they might be interesting, if they'd ever shut up.
Croze's award-winning performance is impressive: bruised, vulnerable, but still spirited as she as unwillingly as Sebastian moves back into her mother's orbit.
One of the most intelligent and articulate entertainments of the year from any country.
The film is enchantingly photographed, but emotionally devoid, which is odd, considering the subject matter.
There are some pluses to Barbarian Invasion, ... with a gruffly touching performance as the family patriarch by Remy Girard
A film with a sense of joy and wonder as it celebrates our existence, while reminding us of some of the human traits… which keep us from enjoying life as much as we should.
The film will be best enjoyed by fans eager to spend another 90 minutes with a group of old friends.
Encourages us to examine our own humanity, and to laugh and cry along with some familiar reprobates who are all too human, and all the more loveable for it.
If secular humanism were an actual religion, The Barbarian Invasions would be recognized as a religious masterpiece.
A lament for lost ideals, a fantasy of the good death, a rant against the evils of the modern besieged age -- Quebec director Denys Arcand's latest film can be seen as all these things at once.
Visually 'The Barbarian Invasions' has a nice surface, but the more one listens to it the more ephemeral and inconsequential it becomes.
As a family drama, the film succeeds with the sort of bitter humor we look to the French to deliver.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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