A film that's less to be enjoyed than appreciated, this one teaches us about the depths one will go to find out who we are, no matter what others might say.
The Beautiful Country (2005)
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Reviews Counted:73
Fresh:55
Rotten:18
Average Rating:6.7/10
Consensus: The plight of Asian refugees is sensitively rendered, and the movie builds, with the help of Nolte, to a wrenchingly poignant conclusion.
Rated: R [See Full Rating] for some language and a crude sexual reference.
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Jul 8, 2005 Limited
Box Office: $256,488
Synopsis: Binh (newcomer Damien Nguyen) is an outcast in his small village and the quiet hero of this affecting drama, which opens in the lush landscapes of the Vietnamese countryside. The son of an American... Binh (newcomer Damien Nguyen) is an outcast in his small village and the quiet hero of this affecting drama, which opens in the lush landscapes of the Vietnamese countryside. The son of an American soldier and a native woman, Binh is considered in his country to be "lower than dust." Though he grew up in his grandmother's home, he is forced to leave when his aunt's new husband moves in, taking his place. Binh travels to Saigon in search of his mother, where he meets his small half-brother, Tam, and learns about his parents' life together. When disaster strikes, Binh is forced to flee with Tam, boarding a dangerously small boat of refugees with the ultimate destination of America. The ship is waylaid and the brothers are interred in a Malaysian refugee camp, where they befriend a beautiful young Chinese woman, Ling (Bai Ling). The three make their escape with the help of Ling's dubious connections with the guards, and embark on a voyage to New York that is even more fraught with peril than the last. They find themselves at the mercy of cynical Captain Oh (Tim Roth), as well as horrific conditions of deprivation and desperation among countless other refugees. Binh must constantly fight the class and cultural hierarchies that survive even under these circumstances. Upon arrival stateside, Binh's situation improves only slightly, but he perseveres in his quest to locate his lost father (Nick Nolte). Based on a story conceived by Terrence Malick, the auteur's touch is felt in the sweeping beauty of the photography and the wistful, haunting tone of the story. Nguyen's performance is utterly fresh, rendering the melodramatic nature of the material personal and intimate, while the subject matter itself frames the prescient issue of immigration in a story of universal appeal. [More]
Starring: Damien Nguyen, Nick Nolte, Bai Ling, Tim Roth
Starring: Damien Nguyen, Nick Nolte, Bai Ling, Tim Roth, Temuera Morrison
Director: Hans Peter Moland
Director: Hans Peter Moland
Screenwriter: Sabina Murray, Larry Gross
Story: Lingard Jervey
Producer: Terrence Malick, Tomas Backstrom, Petter J. Borgli, Edward R. Pressman
Studio: Sony Pictures Classics
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Reviews for The Beautiful Country
It is hard not to admire the independence and ambition of The Beautiful Country, even if the film does fall short of its epic intentions.
Although one desperately wants to like this well-meaning film, it ultimately evokes tedium.
A trite and troubled script makes it more a visual tirade than an engaging odyssey.
The Beautiful Country charts the course of one such young man with sensitivity, some generic hand-wringing and, ultimately, a gentle steeliness
Despite some artificial transitions, Binh's picaresque journey becomes emotionally resonant.
The most stunning beauty comes in human connections, physical touch, unconditional acceptance, familial love - in the treacherous and tender terrain of the human heart.
Beautiful movie about a young man's search for his past. Vietnam is indeed a beautiful country, but the way this movie is filmed, everywhere looks good.
This haunting film casts a wide swath that veers between obvious cliches and intensely visceral truths.
The film shows Binh's experience in lyrical, subtle, often extraordinary imagery.
Norwegian director Hans Petter Moland's ambitious but bleak social problem film is compelling but never fully satisfies in its clumsy dramatics.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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