That said, all art deserves biography, and great art deserves recognition.
Beautiful Losers (2008)
Tomatometer
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Reviews Counted: 19
Fresh: 13
Rotten:6
Average Rating: 6.8/10
Theatrical Release:Aug 8, 2008 Limited
Synopsis:
Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation
In the early 1990's a loose-knit group of like minded outsiders found common ground at...
Beautiful Losers celebrates the spirit behind one of the most influential cultural moments of a generation
In the early 1990's a loose-knit group of like minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop & graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group, and the subcultures they sprang from, have now become a movement that has been transforming pop culture.
Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories. It speaks to themes of what happens when the outside becomes "in" as it explores the creative ethos connecting these artists and today's youth.
Starring: Thomas Campbell, Jo Jackson, Cheryl Dunn, Shepard Fairey
Starring: Thomas Campbell, Jo Jackson, Cheryl Dunn, Shepard Fairey, Chris Johanson, Margaret Kilgallen, Harmony Korine, Mike Mills
Director: Aaron Rose, Joshua Leonard
Director: Aaron Rose, Joshua Leonard
Studio: Sidetrack Films
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Reviews for Beautiful Losers
On your deathbed you will want back the time it takes to see this one.
An absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success.
This is a pleasant enough visual romp with surprisingly few down notes.
[An] alternately winsome and irritating documentary about the art scene that grew out of the Alleged Gallery on Manhattan's Lower East Side in the 1990s.
Some of the art is probably interesting, but Rose's own video-influenced filmmaking style leaves little time for inspection or reflection.
Though [Director] Mr. Rose can't be blamed for waxing nostalgic, he can't much expect us to care about so fawning and self-serving a document.
It succeeds intermittently and is reasonably enlightening, but whether audiences are really going to warm up to the individuals presented here is questionable.
a celebration of rude and raw art and the kinetic charge of experiencing something fresh and undefiled
A product of the movement as much as an ode to it, the film is a gem because of the immaturity and intimacy that it shares with those featured in it.
The cultural time capsule doubles as a testament to the joys of outsiders bonding, with interviewees emphasizing how they finally felt like they belonged somewhere after years of asphyxiating alone on the fringe.
Regardless of Rose's intentions, his underachieving airiness is both entertaining and perfectly fitting for the slacker ennui of his clique's rising years.
Aaron Rose and Joshua Leonard don't properly contextualize this mini-scene within the larger art world, nor provide basic background on their speakers.
A celebration of Peter Pan-like spirits who felt the freedom to express themselves before anybody cared.
...suffers from an egregiously "inside" sensibility that ensures neophytes will periodically be left scratching their heads at the whole thing.
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