You'll enjoy it if you're the artistic, romantic type who can be seated for 120 minutes without CGI or anything getting blown up.
Becoming Jane (2007)
Tomatometer
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:Aug 3, 2007 Limited
Box Office: $18,602,895
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
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Reviews for Becoming Jane
Becoming Jane is not as good as the best Austen films, but is much better than most mainstream movies on tap.
Despite the fact that this is a beautifully-shot, dryly funny period drama, some audiences might prefer to stick to the sheer escapism of Austen's fictional work, which follows a similar formula.
...a beautifully directed film from Julian Jarrold that draws as much strength from the depiction of the 18th-century English countryside (Ireland, actually) as from the performances of Anne Hathaway as Austen and James McAvoy as Tom Lefroy.
Once you admit that the Jane Austen depicted onscreen bears scant relation to any person named Jane Austen, living or dead, the film fulfills its purpose.
While Becoming Jane is too much of a prologue to the writing Austen, it is an impeccably crafted imagining of a young woman seeking love at a time when women were so often 'better than their circumstances.'
It's a charming, peaceful picture; a perfect diversion for those who like their corsets tight and confining and their romance kept behind a fence of social judgment and impossible odds.
The film seduces. Beautifully produced, from production design and costumes to music and performances, it's also faithful to the genteel spirit and repressed passions for which she's known.
One can only hope that Becoming Jane will inspire moviegoers to find out more about this beloved literary great. Or hopefully revisit one of her classic novels.
If you're a Jane Austen fan, your sense and sensibility will demand you check this out.
. McAvoy shines in the role of a good-hearted rogue, and director Julian Jarrold ("Kinky Boots") depicts 18th-century England with a convincing less-is-more approach.
Neither the best nor the worst of the Jane Austen adaptations. However, nor is it likely to be remembered for very long after it passes across your eyes.
Anne Hathaway has learned to ease up on the mugging and let us come to her. She’s no Jane Austen, but she’s got the gumption of an Austen heroine.
The reality of love's disappointments enriches the film's heroine, who never married in real life, and brings a 200-year-old figure into living focus.
A finely tooled Brit-lit costumer that, like Anne Hathaway's flawless accent as the young Austen, lacks only that final convincing 5%.
One can appreciate 'Becoming Jane' without knowing anything about the writings of Jane Austen or the speculation about her hidden life.
There's something refreshingly spare and rough-hewn about this big-screen experience.
An evocative portrait of an artistic temperament in defiance of propriety and of how, when such things are repressed, passion and personality are revealed in acts of private ritual and public performance.
For realism's sake, Jarrold checks in with the usual muddy hems, misty green fields and chickens clucking underfoot. And if you’re an Austen reader you can have an okay time just playing I-Spy Pride and Prejudice...
Latest News for Becoming Jane
December 06, 2007:
James McAvoy on Atonement: The RT Interview
Scottish actor James McAvoy has shot several films in the last few years (Becoming Jane, The Last King of Scotland, and the eagerly anticipated Wanted) but so far remains most... More...
August 05, 2007:
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Matt Damon set a new opening weekend record for the month of August with the top spot bow of The Bourne Ultimatum, the third installment in the actor's signature spy series. The... More...
August 02, 2007:
Bourne Is Certified Fresh; Hot Rod Hits the Skids; Bratz is Grade-Z; El Cantante Hits A Flat Note
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