Behind the Mask: The Rise of Leslie Vernon (2007)
Runtime: 1 hr 32 mins
Genre: Horror/Suspense
Starring: Nathan Baesel, Robert Englund, Zelda Rubinstein, Scott Wilson, Angela Goethals
Screenwriter: Scott Glosserman, David J. Stieve
Producer: Scott Glosserman, David J. Stieve
DVD Info
Release:
Jun 26, 2007
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 Surround - English
- Dolby Digital 2.0 Stereo - English
Additional Release Materia:
- Audio Commentary - Nathan Baesel - Star; Angela Goethals - Star; Ben Pace - Star
- Deleted Scenes
- Extended Scenes
- Featurette - 1. The Making Of BEHIND THE MASK: THE RISE OF LESLIE VERNON
- 2. The Casting of BEHIND THE MASK
- Trailers
DVD-ROM:
- Screenplay
Buy It On DVD
Reviews
Other than displaying a textbook awareness of its ancestors, Behind the Mask offers next to nothing
A mini-masterpiece... one of the best indie films in recent memory.
While kudos and curtseys belong to the filmmakers and the whole cast, the real standout is Nathan Baesel as the title character.
Fun stuff, though the jokes ultimately miss as much as they hit
Behind the Mask isn't a bad movie, but it is a decidedly minor one, a short pumped up to feature length that impales itself on its own hook: After you've explained all the tricks, it's impossible to have your act perceived as genuine magic.
Unfortunately, we've seen this jolly inventory of slasher-flick clichés before, in other parodies dating back to "Scream." And with not much new to contribute, "Behind the Mask" starts running out of narrative momentum about two-thirds of the way through.
A deconstructionist horror comedy that owes a debt to Scream and the 1992 Belgian film Man Bites Dog, Mask nevertheless has enough pitch-perfect wit to lay claim to its own patch of postmodern, movie-loving snarkiness.
Lacks the bitter resonance of its obvious predecessor, Belgian filmmaker Remy Belvaux's 1992 Man Bites Dog.
About two-thirds in, the movie shifts gears disastrously. Made me want to haul someone into the cutting room for revenge.
The wait is over. Endlessly imaginative, rigorously crafted, and extremely frightening, Behind the Mask is as good as horror gets.
The script's laughs are too widely spaced. Even before the plot takes a third-act turn into the land of kill-by-the-numbers slasher movies, the jokes drip when they should be gushing.
If Scott Glosserman's witty slasher spoof had celebrities, it would probably be a success like Scream or Scary Movie. As an indie, it's more apt to be a cult fave. Either way, it's a must for those who like thrills laced with humor.
There is a lot of cleverness at work here, especially when the movie switches from the Blair Witch-style shaky camera to more accomplished and atmospheric low-budget lensing.
[Director] Glosserman can't match the wit of Scream, the fright of The Blair Witch Project or the satire of journalism seen in Series 7.
The dialogue has wit, and the rug gets pulled out from under us and the characters in several short, sharp jolts. At a certain point, Behind the Mask loses the tatty digital-video and immerses us in cinema.
Behind the Mask is original and weirdly delicious, and executed with gory aplomb.
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