Becomes nothing more than a waiting game -- an annoying, endless deathwatch.
Behind the Sun (2001)
Tomatometer
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Reviews Counted:45
Fresh:34
Rotten:11
Average Rating:6.8/10
Consensus: Visually poetic, Behind the Sun is a powerful statement about cycles of violence.
Rated: PG-13 [See Full Rating] for some violence and a scene of sexuality
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release:Dec 12, 2001 Limited
Synopsis: BEHIND THE SUN takes place in 1910, in the small town of Stream-of-Souls, Brazil, where two families have been engaged in a long battle for control of what appears to be nearly barren land. The... BEHIND THE SUN takes place in 1910, in the small town of Stream-of-Souls, Brazil, where two families have been engaged in a long battle for control of what appears to be nearly barren land. The Breves clan--mother, father, 20-year-old Tonio, and little Pacu (called the kid), are a poor family struggling to make it with their small sugarcane mill that has outlived its usefulness. In front of their house, a bloodied shirt swings in the breeze, the sun slowly fading the red stain surrounding a hole. When the bloodstain turns yellow, Tonio sets out to hunt down the Ferreira brother who killed the eldest Breves child, Inácio. The chase scene through the forest is stunningly shot by cinematographer Waler Carvalho. After Tonio accomplishes his mission, it becomes his turn to wait for the bloodied Ferreira shirt to turn yellow, after which the next-in-line Ferreira brother will come after him. Walter Salles, whose previous film was the touching CENTRAL STATION, has brilliantly adapted Ismaïl Kadaré's book BROKEN APRIL, moving the blood feud to Brazil from Albania. The futility of the family battle is made clear through beautiful shots of the vast desert landscape that physically separates the two families as their next generation perishes one by one. Rodrigo Santoro, a captivating cross between Keanu Reeves and Edward Burns, is excellent as Tonio, who tries to seek peace and love before his time is up, but the film belongs to young Ravi Ramos Vasconcelos, who, as Pacu--the kid--narrates the film and is the centerpoint of the story. It is through his eyes that the story is told, and the result is both magnificent and horrific. [More]
Starring: José Dumont, Rodrigo Santoro, Rita Assemany, Luis Carlos Vasconcelos
Starring: José Dumont, Rodrigo Santoro, Rita Assemany, Luis Carlos Vasconcelos, Ravi Ramos Lacerda, Flavia Marco Antonio, Everaldo Pontes, Othon Bastos
Director: Walter Salles
Director: Walter Salles
Screenwriter: Walter Salles, Karim Aïnouz, Sérgio Machado
Producer: Arthur Cohn
Composer: Antonio Pinto
Studio: Miramax Films
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Release:
Jun 11, 2002
Reviews for Behind the Sun
As a story about two warring families, it is poignant, beautifully shot, and powerful. As an allegory reflecting on the cycles of violence that threaten all of our futures, it is absolutely necessary.
There isn't a line that doesn't echo with heavy meaning or a character that has a life outside his or her dramatic purpose in this allegory.
a family saga told with all the muscle of the best Sergio Leone western.
Salles shows us through this powerful parable that true peace will come only when individuals disarm their hearts and act in love.
A bleak, beautiful cinematic fable driven by the brutal logic of blood feuds and transformed by an overpowering sense of wonder.
Gets away with its shortfalls almost solely on the basis of its cinematography.
After a certain point, no one is right and no one is wrong, both sides have boundless grievances, and it's the audience that wants to run away with the circus.
You're always aware ... that you're watching a quaintly middle-class, museum-poster notion of an 'elemental' peasant fable.
Salles starts with the loudly trumpeted theme, then tacks on a slim plot to justify the clamour.
Salles is a fine director with the ability to invest moments with a sense of tragedy and inexorable fate.
The first time I saw the Brazilian Behind the Sun, there were no subtitles, and I couldn't understand a word. The second time, it had subtitles, and, to tell you the truth, the first time was better.
A worthy but somewhat less-than-satisfying follow-up to the Oscar-nominated Central Station.
A stunning tale of revenge and family rebellion in the Brazil of 1910.
[An] example of how old-fashioned cinema can still be quietly thrilling.
A lovely journey, but it's like a picture book whose text is merely incidental.
| Tomatometer Percentage | Movie |
|---|---|
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| 98% 98% | Up |
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| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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