Salles' movie taps into matters that are at once ancient and mythical and, needless to say, headline-fresh.
Behind the Sun (2001)
Tomatometer
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Reviews Counted:45
Fresh:34
Rotten:11
Average Rating:6.8/10
Consensus: Visually poetic, Behind the Sun is a powerful statement about cycles of violence.
Rated: PG-13 [See Full Rating] for some violence and a scene of sexuality
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release:Dec 12, 2001 Limited
Synopsis: BEHIND THE SUN takes place in 1910, in the small town of Stream-of-Souls, Brazil, where two families have been engaged in a long battle for control of what appears to be nearly barren land. The... BEHIND THE SUN takes place in 1910, in the small town of Stream-of-Souls, Brazil, where two families have been engaged in a long battle for control of what appears to be nearly barren land. The Breves clan--mother, father, 20-year-old Tonio, and little Pacu (called the kid), are a poor family struggling to make it with their small sugarcane mill that has outlived its usefulness. In front of their house, a bloodied shirt swings in the breeze, the sun slowly fading the red stain surrounding a hole. When the bloodstain turns yellow, Tonio sets out to hunt down the Ferreira brother who killed the eldest Breves child, Inácio. The chase scene through the forest is stunningly shot by cinematographer Waler Carvalho. After Tonio accomplishes his mission, it becomes his turn to wait for the bloodied Ferreira shirt to turn yellow, after which the next-in-line Ferreira brother will come after him. Walter Salles, whose previous film was the touching CENTRAL STATION, has brilliantly adapted Ismaïl Kadaré's book BROKEN APRIL, moving the blood feud to Brazil from Albania. The futility of the family battle is made clear through beautiful shots of the vast desert landscape that physically separates the two families as their next generation perishes one by one. Rodrigo Santoro, a captivating cross between Keanu Reeves and Edward Burns, is excellent as Tonio, who tries to seek peace and love before his time is up, but the film belongs to young Ravi Ramos Vasconcelos, who, as Pacu--the kid--narrates the film and is the centerpoint of the story. It is through his eyes that the story is told, and the result is both magnificent and horrific. [More]
Starring: José Dumont, Rodrigo Santoro, Rita Assemany, Luis Carlos Vasconcelos
Starring: José Dumont, Rodrigo Santoro, Rita Assemany, Luis Carlos Vasconcelos, Ravi Ramos Lacerda, Flavia Marco Antonio, Everaldo Pontes, Othon Bastos
Director: Walter Salles
Director: Walter Salles
Screenwriter: Walter Salles, Karim Aïnouz, Sérgio Machado
Producer: Arthur Cohn
Composer: Antonio Pinto
Studio: Miramax Films
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Release:
Jun 11, 2002
Reviews for Behind the Sun
Salles starts with the loudly trumpeted theme, then tacks on a slim plot to justify the clamour.
As a story about two warring families, it is poignant, beautifully shot, and powerful. As an allegory reflecting on the cycles of violence that threaten all of our futures, it is absolutely necessary.
Becomes nothing more than a waiting game -- an annoying, endless deathwatch.
Full of poetic imagery, dazzling photography and heartfelt performances from a mostly unknown cast.
There isn't a line that doesn't echo with heavy meaning or a character that has a life outside his or her dramatic purpose in this allegory.
A lovely journey, but it's like a picture book whose text is merely incidental.
Salles is a fine director with the ability to invest moments with a sense of tragedy and inexorable fate.
Salles here gives a story of inter-familial feuding and violence the kind of resonance that readily invites a leap to wider implications.
After a certain point, no one is right and no one is wrong, both sides have boundless grievances, and it's the audience that wants to run away with the circus.
Salles ... has found the beauty not only in this terrible place, but in a story by novelist Ismail Kadaré that originally was set in Albania.
arthouse fans hunger for a lot more than tortilla chips for an appetizer.
At once sharp and hallucinatory and, though deliberate and self-consciously 'artistic,' quite affecting.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
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| 58% 58% | A Perfect Getaway |
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