Opening

76% Fast & Furious 6 May 24
31% The Hangover Part III May 23
83% Epic May 24
97% Before Midnight May 24
70% We Steal Secrets: The Story Of Wikileaks May 24
88% Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
98% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

Abril Despedaçado (Behind the Sun) Reviews

Page 1 of 3
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

After a certain point, no one is right and no one is wrong, both sides have boundless grievances, and it's the audience that wants to run away with the circus.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

April 19, 2002
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

The first time I saw the Brazilian Behind the Sun, there were no subtitles, and I couldn't understand a word. The second time, it had subtitles, and, to tell you the truth, the first time was better.

Full Review Source: St. Paul Pioneer Press | Original Score: 2/4

July 11, 2002
Jeffrey M. Anderson
Combustible Celluloid

Becomes nothing more than a waiting game -- an annoying, endless deathwatch.

Full Review Source: Combustible Celluloid | Original Score: 1.5/4

April 24, 2002
Dennis Schwartz
Ozus' World Movie Reviews

A family blood feud between neighbors over land in the rural sugarcane fields of the Brazil of 1910.

Full Review Source: Ozus' World Movie Reviews | Original Score: C

September 27, 2002
Jan Stuart
Newsday
Top Critic IconTop Critic

A dreary Aristotelian tragedy whose contemporary geopolitical relevance cannot compensate for the lack of gripping protagonists.

Full Review Source: Newsday

December 21, 2001
Hank Sartin
Chicago Reader
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The appearance of circus performers in any film not by Fellini usually bodes ill, and it does so here.

Full Review Source: Chicago Reader

April 1, 2010
John A. Nesbit
Old School Reviews

arthouse fans hunger for a lot more than tortilla chips for an appetizer.

Full Review Source: Old School Reviews | Original Score: C-

January 27, 2002
Eric Monder
Film Journal International

Turns a potentially interesting story into, well, refined sugar.

Full Review Source: Film Journal International

January 10, 2002
Owen Gleiberman
Entertainment Weekly
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You're always aware ... that you're watching a quaintly middle-class, museum-poster notion of an 'elemental' peasant fable.

Full Review Source: Entertainment Weekly | Original Score: C+

January 4, 2002
Moira MacDonald
Seattle Times
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A lovely journey, but it's like a picture book whose text is merely incidental.

Full Review Source: Seattle Times | Original Score: 2.5/4

April 19, 2002
Rick Groen
Globe and Mail
Top Critic IconTop Critic

Salles starts with the loudly trumpeted theme, then tacks on a slim plot to justify the clamour.

Full Review Source: Globe and Mail | Original Score: 2/4

May 3, 2002
Emanuel Levy
EmanuelLevy.Com

| Original Score: B-

July 3, 2005
Chris Barsanti
Film Threat

a family saga told with all the muscle of the best Sergio Leone western.

Full Review Source: Film Threat | Original Score: 3/5

November 12, 2003
Claudia Puig
USA Today
Top Critic IconTop Critic

Provides a window into a radically different time and place.

Full Review Source: USA Today

December 12, 2001
Christopher Null
Filmcritic.com

Poignant and touching.

Full Review Source: Filmcritic.com | Original Score: 4/5

June 15, 2002
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)

A sumptuously filmed parable on the futility of violence.

Full Review | Original Score: 3/4

June 12, 2003
Frederic and Mary Ann Brussat
Spirituality and Practice

Salles shows us through this powerful parable that true peace will come only when individuals disarm their hearts and act in love.

Full Review Source: Spirituality and Practice

December 24, 2001
Sean Axmaker
Seattle Post-Intelligencer

There isn't a line that doesn't echo with heavy meaning or a character that has a life outside his or her dramatic purpose in this allegory.

Full Review Source: Seattle Post-Intelligencer | Original Score: C+

April 19, 2002
A.O. Scott
New York Times
Top Critic IconTop Critic

Salles has the confidence of a storyteller too entranced by his tale to worry about the resistance of his audience, which he thus effortlessly overcomes.

Full Review Source: New York Times | Original Score: 3.5/5

December 21, 2001
Steven Rea
Philadelphia Inquirer
Top Critic IconTop Critic

Salles ... has crafted a compelling existential tableau.

| Original Score: 3.5/4

April 18, 2002
Rich Cline
Shadows on the Wall
February 21, 2002
Adam Nayman
eye WEEKLY
May 13, 2002
Jeff Strickler
Minneapolis Star Tribune
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November 6, 2002
Urban Cinefile Critics
Urban Cinefile
August 17, 2002
Nathaniel Rogers
CineScene.com
December 24, 2001
Alexander Walker
This is London
December 15, 2003
David Rooney
Variety
Top Critic IconTop Critic
October 21, 2008

Guardian [UK]
March 18, 2002

FilmFour.com
March 25, 2002

Boston Phoenix
April 20, 2002

Sight and Sound
August 8, 2002

Houston Chronicle
Top Critic IconTop Critic
July 21, 2005

Time Out
Top Critic IconTop Critic
January 26, 2006

Sight and Sound
June 18, 2012
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