It's a pity, but we wind up with a meaningless morality film that seems most at home clattering away on an elementary school classroom projector than in art houses.
Beijing Bicycle (2002)
Tomatometer
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Reviews Counted:58
Fresh:36
Rotten:22
Average Rating:6.5/10
Consensus: Though rather repetitive in its plot, Beijing Bicycle provides an interesting look at the economic and social changes that have occurred in China.
Rated: PG-13 [See Full Rating] for some violence and brief nudity
Runtime: 1 hr 53 mins
Genre: Foreign Films
Theatrical Release:Jan 25, 2002 Limited
Synopsis: Wang Xiaoshuai's moving, emotional BEIJING BICYCLE tells the story of a young country boy, Guei (Cui Lin), who comes to the big city determined to make it. He soon finds a job as a bike messenger... Wang Xiaoshuai's moving, emotional BEIJING BICYCLE tells the story of a young country boy, Guei (Cui Lin), who comes to the big city determined to make it. He soon finds a job as a bike messenger in which he gets a small percentage of each delivery, working hard to build up enough credit to eventually own the bike for himself. As he grows closer to his goal, the bike is stolen and ultimately winds up in the hands of Jian (Li Bin), a poor city boy who sees the bike as his only way to make friends and impress the girl he loves. With both boys claiming the bike is theirs, a series of fights ensues over what is more than just a bike--it has become a symbol of success, power, and greed in a changing country. Lin and Bin are excellent as the two boys battling over the bike; it is heartbreaking to watch Lin keep a tight hold of the bike even as Bin and his friends beat him senseless. Cinematographer Lui Jie depicts a very different China, one that is filled with dangerous, meandering alleys and frightening poverty. The film, almost devoid of color save for a young woman's red dress and shoes, is reminiscent of Vittori De Sica's BICYCLE THIEF and Peter Yates's BREAKING AWAY; the freedom the bicycle represents overwhelms both young boys as they risk their lives to hold on to it. The film won a Silver Berlin Bear for its honest, gritty, heartfelt depiction of a Beijing that is not often seen in the West. [More]
Starring: Xun Zhou, Lee Bin, Cui Lin
Starring: Xun Zhou, Lee Bin, Cui Lin
Director: Wang Xiaoshuai
Director: Wang Xiaoshuai
Screenwriter: Wang Xiaoshuai, Tang Danian, Peggy Chiao, Hsu Hsiao-ming
Producer: Fabienne Vonier, Peggy Chiao
Studio: Sony Pictures Classics
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Reviews for Beijing Bicycle
Scenes of Guei clutching pathetically to the bike while Jian's buddies beat him up are played alternately as comedy and tragedy.
An absorbing slice of the New China and a fascinating duel between two magnificently stubborn antagonists.
Wang mistakes affectless storytelling and character conception for rigor, and as a result huge portions of Beijing Bicycle are dull and repetitive.
...plots dependent on character stupidity are not a purely Hollywood phenomenon.
Beijing Bicycle is a subtle, beautifully made film and a seemingly good-natured social commentary on contemporary Beijing. Unfortunately, it's pretty boring.
Wang Xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men.
The work of a maturing filmmaker, one who marries causes that matter with a sober melancholy and an admirable restraint.
Xiaoschuai's film is surprisingly compelling in that few of his characters are likeable
A startling and fresh examination of how the bike still remains an ambiguous icon in Chinese society.
The tug of war that ensues is as much a snapshot of modern China in microcosm as it is a crash course in movie mythology.
Provides an intriguing look at how the new economy has redrawn class lines in contemporary China.
The story has its redundancies, and the young actors, not very experienced, are sometimes inexpressive.
It tells a compelling story while making a devastating, entirely convincing argument about the corrosive effects of Chinese capitalism on traditional values and human dignity.
[Wang's] reliance on sugarcoated music and his trite use of slow motion show that his heart lies in making undemanding fluff for the world market.
The complex, politically charged tapestry of contemporary Chinese life this exciting new filmmaker has brought to the screen is like nothing we Westerners have seen before.
Now here's a sadistic bike flick that would have made Vittorio De Sica proud.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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