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Being Julia (2004)
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Reviews Counted:120
Fresh:91
Rotten:29
Average Rating:6.7/10
Consensus: Annette Bening delivers a captivating performance in Being Julia, a sophisticated comedy that follows a 1930s stage diva who experiences an identity crisis at age 40.
Theatrical Release:Oct 15, 2004 Limited
Box Office: $7,652,647
Synopsis: As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When... As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When Tom Fennell (Shaun Evans), an adoring lad half her age, comes into her life, a clandestine affair begins. Though she's happy for a while, Julia eventually winds up in a face-off with a Tom's other, much younger lover (Lucy Punch). Luckily, the spirit of Julia's cantankerous old acting coach (London theater legend Michael Gambon) follows Julia around offering some tough-love encouragement. Set in the late 1930s, this is a fine costume comedy-drama about the sorrows and joys of art. The eternal question of "when am I acting and when am I myself?" has seldom been addressed as intelligently as it is here; Bening seems to be not only tangling with her own status as an aging beauty, but also with the limits of her own acting abilities, and it's a pleasure to see her transcend both with such triumphant exuberance. Bravo, Miss Bening, and kudos to director Szabó (MEPHISTO) for rendering his obvious love of theater, cinema, and actors with such contagious warmth. Other fine performances include Jeremy Irons as Julia's manager/husband and Juliet Stevens as her jaded maid. [More]
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans, Bruce Greenwood, Miriam Margolyes, Juliet Stevenson, Maury Chaykin, Michael Gambon
Director: István Szabó
Director: István Szabó
Screenwriter: Ronald Harwood
Producer: Robert Lantos
Composer: Mychael Danna
Studio: Sony Pictures Classics
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Reviews for Being Julia
A workmanlike production, perfectly good, not outstanding in any way (except for the last few scenes), but withal worth seeing.
There are several notable actors in it, most of them quite good, but it's the glorious Annette Bening who hoists this flawed production on her mink-wrapped shoulders and makes it work.
It is a lush British showcase for Annette Bening, making the very most of it.
There's an art to making this kind of movie -- and Szabó has assembled all the right ingredients and combined them with a delicate but masterful touch.
This is Bening's field day, and she fends off all comers with a performance that's astonishing for both its happy invention and technical overkill.
The play is supposed to serve as both the centerpiece and the climax of the film, which may explain why it wobbles until the end.
Hello, Oscar. ... Bening's charisma is so enormous in the film that it surprising the other actors can find any room on the stage.
The role is obviously a godsend for Bening, given the dearth of parts available to good actresses her age, and, after a somewhat shaky beginning, she makes the most of it, fully inhabiting this woman.
Playing a West End stage queen in the otherwise musty Being Julia, Bening has a high time strutting her good/bad stuff.
Light as a feather but a leisurely and pleasurable romp nonetheless. Annette Bening is grand.
Redolent with the aroma of the floor boards, spiced with the overripe theatricality of thespians, and blessed with the grace of a radiant Annette Bening
Movies don't get much more inoffensively middlebrow than Being Julia.
It's an immensely satisfying and stylish entry in the grand tradition of films about the theater.
In addition to good performances from support players such as Canadians Bruce Greenwood and Sheila McCarthy, Being Julia also features consummate British pro Michael Gambon as a ghost and young Lucy Punch in a sexy, career-making turn.
There's no question that the source material and the screenwriter make for a natural fit.
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