The film never takes direct issue with a woman's right to choose.
Bella (2007)
Tomatometer
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Reviews Counted:60
Fresh:27
Rotten:33
Average Rating:5.6/10
Consensus: Critics labeled Bella as a simplistic and mostly pedestrian, but positive word of mouth gave this tiny indie surprising theatrical legs.
Rated: PG-13 [See Full Rating] for thematic elements and brief disturbing images.
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:Oct 26, 2007 Limited
Box Office: $7,884,317
Synopsis: BELLA opens with a flashback to a confident young man named Jose (Eduardo Verastegui) who is poised to become a major soccer star. The film then flashes forward to the present day, and we see Jose... BELLA opens with a flashback to a confident young man named Jose (Eduardo Verastegui) who is poised to become a major soccer star. The film then flashes forward to the present day, and we see Jose working as a chef in his brother Manny's (Manny Perez) restaurant. A swaggering athlete no more, he has camouflaged his striking looks with long hair and a thick beard. When his hot-tempered brother fires a waitress for showing up late, Jose makes the spontaneous decision to walk off the job and go check on her. He catches the young woman, Nina (Tammy Blanchard), just as she is about to board the subway, and she reveals to him that she is pregnant. Worried for her, Jose suggests they spend the day together, and the two set off for a long, meandering jaunt around New York City. Previously only workmates, they slowly open up to each other over the course of the day. He brings her out to Long Island, where she meets his warm and loving family, and it's there that he tells the tragic story about what derailed his once promising athletic career. They bond with each other in a deeply intimate, though platonic way, and by the film's end, Jose and Nina have a lifelong connection to one another. Director Alejandro Gomez Monteverde paints a gritty but lively picture of New York City, and he peppers the film with scenes of subway turnstiles, sidewalk artists, and corner bodegas. In doing so he creates a rough but very real portrait of the city. While BELLA grapples with some pretty heavy themes, it is ultimately a feel-good tale, with a strong emphasis on the importance of family, and on the human potential for change and atonement. [More]
Starring: Eduardo Verastegui, Tammy Blanchard, Manny Perez, Ali Landry
Starring: Eduardo Verastegui, Tammy Blanchard, Manny Perez, Ali Landry, Angelica Aragon, Jaime Terelli
Director: Alejandro Monteverde
Director: Alejandro Monteverde
Screenwriter: Alejandro Monteverde, Patrick Million, Leo Severino
Producer: Sean Wolfington, Eduardo Verastegui, Leo Severino, Denise Pinckley
Composer: Stephan Altman
Studio: Roadside Attractions
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Reviews for Bella
A barely disguised anti-abortion tract, Bella is simple-minded, heavy-handed and as subtle as a gorilla in a tutu.
Bella, insubstantial and trite, is as forgettable as a movie can be.
Its anti-abortion argument is loaded: How many pregnant waitresses discover they've been working alongside a kind, sensitive and handsome former millionaire soccer star with no girlfriend who's happy to become an adoptive father?
Without a standout performance or a compelling story the entire project is so slight you practically forget you've seen it before it's even over.
It ends like a TV show, and everyone has learned a neat little lesson. Phooey.
Doesn't seem to have very much plot or purpose, besides being an overly sweet and cute love letter to New York City, but the writing and storytelling just aren't there.
Bella is a movie that wears its bleeding heart on its sleeve and loves its characters to distraction.
The film creates characters who are so relentlessly thoughtful and attractive that it’s hard to worry about their problems, even at the outset.
A Mexican movie in which the outcome is never in doubt, the scenes are endless -- sorry, we meant poetic-- and the false beard on the central character's face looks as though it could use a little extra gum.
It wants to answer the questions it's clearly too timid to ask, but the questions are always so much more interesting.
Bella is without doubt one of the least apologetic blendings of heartfelt intentions, cinematic manipulation, and ultra sentimentality that I have seen in some time.
Bella is certainly a sweet, life-affirming picture, but it's just not authentic or captivating enough to justify its wildly concocted scenario.
Confessional moments and life lessons pop up around every corner as the movie swaps reality for old-fashioned melodrama. The movie defies logic.
Monteverde's unobtrusive direction makes Bella into something far more interesting and affecting than the mediocre telenovela it could have been.
The warm stars can do only so much to humanize a mucky narrative that unavoidably lessens the film's emotional thrust.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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