Bella expends so much effort hiding its agenda that it doesn't have time to give us a story until the very end.
Bella (2007)
Tomatometer
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Reviews Counted:60
Fresh:27
Rotten:33
Average Rating:5.6/10
Consensus: Critics labeled Bella as a simplistic and mostly pedestrian, but positive word of mouth gave this tiny indie surprising theatrical legs.
Rated: PG-13 [See Full Rating] for thematic elements and brief disturbing images.
Runtime: 1 hr 40 mins
Genre: Dramas
Theatrical Release:Oct 26, 2007 Limited
Box Office: $7,884,317
Synopsis: BELLA opens with a flashback to a confident young man named Jose (Eduardo Verastegui) who is poised to become a major soccer star. The film then flashes forward to the present day, and we see Jose... BELLA opens with a flashback to a confident young man named Jose (Eduardo Verastegui) who is poised to become a major soccer star. The film then flashes forward to the present day, and we see Jose working as a chef in his brother Manny's (Manny Perez) restaurant. A swaggering athlete no more, he has camouflaged his striking looks with long hair and a thick beard. When his hot-tempered brother fires a waitress for showing up late, Jose makes the spontaneous decision to walk off the job and go check on her. He catches the young woman, Nina (Tammy Blanchard), just as she is about to board the subway, and she reveals to him that she is pregnant. Worried for her, Jose suggests they spend the day together, and the two set off for a long, meandering jaunt around New York City. Previously only workmates, they slowly open up to each other over the course of the day. He brings her out to Long Island, where she meets his warm and loving family, and it's there that he tells the tragic story about what derailed his once promising athletic career. They bond with each other in a deeply intimate, though platonic way, and by the film's end, Jose and Nina have a lifelong connection to one another. Director Alejandro Gomez Monteverde paints a gritty but lively picture of New York City, and he peppers the film with scenes of subway turnstiles, sidewalk artists, and corner bodegas. In doing so he creates a rough but very real portrait of the city. While BELLA grapples with some pretty heavy themes, it is ultimately a feel-good tale, with a strong emphasis on the importance of family, and on the human potential for change and atonement. [More]
Starring: Eduardo Verastegui, Tammy Blanchard, Manny Perez, Ali Landry
Starring: Eduardo Verastegui, Tammy Blanchard, Manny Perez, Ali Landry, Angelica Aragon, Jaime Terelli
Director: Alejandro Monteverde
Director: Alejandro Monteverde
Screenwriter: Alejandro Monteverde, Patrick Million, Leo Severino
Producer: Sean Wolfington, Eduardo Verastegui, Leo Severino, Denise Pinckley
Composer: Stephan Altman
Studio: Roadside Attractions
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Reviews for Bella
...it's a movie that touches the heart, even if it has its narrative problems.
While Alejandro Gomez Monteverde's film has its heart in the right place, its effectiveness is ultimately hampered by its awkward and maudlin execution.
'Bella' is a good beginning for Monteverde. He exhibits the making of an excellent director. This film is not quite there yet, but it's close.
The movie works because we care about all the characters, especially with writing that rings true, not maudlin.
An inspirational drama about a loving and compassionate man who gives a troubled and lonely woman a new lease on life with a selfless act of kindness.
Bella is a movie that wears its bleeding heart on its sleeve and loves its characters to distraction.
The film never takes direct issue with a woman's right to choose.
The film creates characters who are so relentlessly thoughtful and attractive that its hard to worry about their problems, even at the outset.
An engaging failure, an inversion of some New York movie clichés, a sweet if incomplete movie about love with the proper stranger in the city that never sleeps.
Bella, insubstantial and trite, is as forgettable as a movie can be.
Writer-director Alejandro Gómez Monteverde brings to his feature debut a warmth and charity that offsets some of the script's more obvious devices.
A barely disguised anti-abortion tract, Bella is simple-minded, heavy-handed and as subtle as a gorilla in a tutu.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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