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News / Columns / Box Office
Box Office Guru Wrapup: Beowulf Rules As Overall Box Office Stalls
by Gitesh Pandya
Discuss Article
Page | 1 2
Vince Vaughn's Christmas comedy Fred Claus fared well in its second weekend losing only 35% of its business and grossed an estimated $12M for fourth place. The Warner Bros. title has collected $35.8M in ten days and with the lucrative Thanksgiving holiday session around the corner, could go on to bank $70-80M from North America.


Fox attracted mediocre numbers for its new kidpic Mr. Magorium's Wonder Emporium which opened in fifth with an estimated $10M from 3,164 sites. The G-rated tale starring Dustin Hoffman and Natalie Portman averaged a mild $3,168 per theater. Reviews were mostly negative and competing family films from a busy bee and Santa's brother provided ample competition for the target audience.

For the third straight weekend, the Steve Carell dramedy Dan in Real Life enjoyed the smallest drop in the top ten as the Buena Vista release continued to benefit from solid word-of-mouth. The romantic comedy dipped only 25% to an estimated $4.5M in its fourth frame and pushed its total up to $37.1M. A $50M final could result.

The latest offering from the Coen brothers No Country for Old Men expanded into wider release and posted sensational numbers allowing it to enter the top ten at number seven while still only playing in 148 theaters. The R-rated thriller starring Tommy Lee Jones, Javier Bardem, and Josh Brolin grossed an estimated $3.1M for a scorching $20,932 average lifting the total to $4.9M from limited play. Strong reviews, good word-of-mouth, and a loyal fan following for the filmmaking duo helped to keep Country going strong. On Wednesday, Miramax will go nationwide by widening the pic to about 800 locations giving upscale adult audiences something meaty for the turkey frame. Paramount Vantage co-financed the pic.

Tumbling 57% in its sophomore frame, the political snoozer Lions for Lambs fell to eighth with an estimated $2.9M giving the MGM release a wimpy $11.6M in ten days. Produced for $35M, the Tom Cruise-Robert Redford-Meryl Streep vehicle should end its run with about half its budget in domestic grosses. Poor reviews and off-putting subject matter negated the starpower that the film tried to rely on for commercial success. Redford will have the honor of directing Cruise's lowest-grossing movie since Legend which took in a mere $15.5M in 1986. Factoring in inflation over the superstar's quarter-century career, Lions For Lambs will end up selling the second fewest number of tickets for Tom Cruise beating only 1983's Losin' It which found most of its audience on VHS tapes and late-night cable television airings.

The horror sequel Saw IV fell 53% to an estimated $2.3M in its fourth weekend and lifted its cume to $61.8M. Look for a $66M final gross putting it ahead of Saw's $55.2M from 2004, but behind the $87M of Saw II and the $80.2M of last year's Saw III. Together the four torture flicks will reach $288M in combined domestic grosses with another installment in the works.

It's a rare weekend when Javier Bardem stars in two films that reach the top ten, but the acclaimed actor also saw his romantic drama Love in the Time of Cholera debut in the ten spot with an estimated $1.9M. Panned by critics, the R-rated pic averaged a poor $2,201 from 852 locations for New Line. Thanks to Cholera, the box office has now seen wide releases bow to averages of less than $2,500 during nine of the last ten frames.

Despite mixed reviews from critics, the Nicole Kidman-Jennifer Jason Leigh drama Margot at the Wedding opened to muscular numbers in its platform bow in Manhattan with an estimated $83,000 from two locations for a sizzling $41,465 average. Paramount Vantage will expand the R-rated dysfunctional family drama into 35 theaters in the top dozen markets across North America.

Four films dropped out of the top ten this weekend. Disney's hit family comedy The Game Plan was the top-grossing picture during the September-October corridor and fell 51% to an estimated $1.2M. With a robust $87.4M to date, the sports flick should finish with just over $90M matching The Rock's biggest film in a leading role - $90.5M for 2002's The Scorpion King. Summit's fright flick P2 tumbled 62% in its sophomore session to an estimated $800,000. With a weak $3.6M in ten days, the suspense title should conclude its run with only $5M.

Sony's $30M vampire thriller 30 Days of Night has grossed $39.1M to date and looks headed for a finish of just north of $40M. New Line's John Cusack flop Martian Child crashed 75% to an estimated $465,000 for a $7.2M sum. Don't expect the cume to get much higher than $8M.

The top ten films grossed an estimated $92.4M which was down a troubling 29% from last year when Happy Feet opened in first place with $41.5M; and down a disturbing 45% from 2005 when Harry Potter and the Goblet of Fire debuted in the top spot with $102.3M.

Author: Gitesh Pandya, www.BoxOfficeGuru.com


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Page | 1 2
Comments (1-20 of 25 posts) | Reply
hewpot
hewpot writes:
on Nov 18 2007 06:06 PM

wow no country owned on 140ish theaters

(Reply to this)
Mr. Bowler
Mr. Bowler writes:
on Nov 18 2007 06:13 PM

Kinda surprised by the amount Beowulf raked in. I would have thought it would be more, closer to $35 mil. Not surprised Bee Movie is still 2nd. Beowulf was the only big movie release since Bee Movie and American Gangster.

(Reply to this)
Bloody Mathias
Bloody Mathias writes:
on Nov 18 2007 07:24 PM

Yikes, at this rate 2007 will fall behind 2004's ticket sales.
With The Mist, Hitman and Enchanted coming out next, 2007 may get back on track.


(Reply to this)
Bondesque
Bondesque writes:
on Nov 18 2007 09:15 PM

WOW!! beowulf is going to burn. i would personally pay to watch it though. it looks like it has potential but it will have to gross 400 million to break even. at this rate, and with the decline in DVD sales, that is going to be a tall order. i mean, 300 opened with 70 mill. i thought this would do atleast 40mill. robert zemeckis shouls really go back to mainstream films. but i think hitman is going to do better because it has a more established fan base and will consequently have a stronger opening weekend. but honestly, i getting pretty tired of hollywood. i mean look at their line up. filled with remakes, spinoffs and vid-game adaptations. hollywoood really needs some new blood man. really.

(Reply to this)
Mr. Kong
Mr. Kong writes:
on Nov 18 2007 09:52 PM

Beowulf was great.

I want to kill myself for not seeing it in 3D


(Reply to this)
Paralyzer
Paralyzer writes:
on Nov 18 2007 10:41 PM

the slump continues maybe movies are finaly dieing out

(Reply to this)
dracus
dracus writes:
on Nov 19 2007 02:40 AM

I can only imagine how much money Beowulf would make if most people had a chance to see it in 3-D.

(Reply to this)
Gimy
Gimy writes:
on Nov 19 2007 05:30 AM

wha? the theater i go to ONLY had it in 3d, regular wasn't even an option. sucks to be you guys then...i'm seeing it tonite or tomorrow.

para...the movies aren't dying out, the quality writers and actors are. too few good ones nowadays. there will always be movies, just sh3tty ones apparently. remakes, overactors, bad actors, redo's...prequels...unnecessary sequels, thats becoming the NORM. just a bunch of chumps and one hit wonders who never go away.


(Reply to this)
Vitamin M
Vitamin M writes:
on Nov 19 2007 06:52 AM

Beowulf in 3D at the IMAX is freaking amazing. I was blown away. I had seen Superman Returns at the IMAX and it contained some 3D and was mildly interesting but Beowulf is groundbreaking. But besides the amazing animation and astounding 3D it's also a really good film.
Go see it now.


(Reply to this)
Shatter24
Shatter24 writes:
on Nov 19 2007 07:23 AM

Beowulf would likely have done better if there were more 3-D theatres available.

The dramas coming out this time of year, American Gangster in '07, The Departed in '06, show that quality and good acting (along w/ originality) does still count at the boxoffice.

I am looking forward to The Mist coming out soon, but I expect Hitman to be both a disappointing film and pull in a disappointing draw (I'd be shocked if it made more than $35 million total). Sorry fan boys.


(Reply to this)
fuj_ball
fuj_ball writes:
on Nov 19 2007 08:54 AM

It knocked my pants off. No, actually I took my pants off. To be more comfortable. You know, watching the movie. But... it's hard to pay attention with your pants off. So... what was it about?

(Reply to this)
aknddon3
aknddon3 writes:
on Nov 19 2007 09:34 AM

Please say that it stayed true to the epic poem because that was a great story and if he ruined it that would suck.

(Reply to this)
abcdefz1
abcdefz1 writes:
on Nov 19 2007 09:49 AM

Ebert says they basically just kept the names. :D

(Reply to this)
unbreakable_samurai
unbreakable_samurai writes:
on Nov 19 2007 11:01 AM

No Country is expanding to about 800 screens, which is right were my city usually is, so I have about a 50% chance of getting it, damn I hope we do. P2(B-) was better than it should have been, pretty good acting,dircting,writing, and music, helped elevate it from it's basic premise. Into the Wild(B) was to long, overly filled with impending doom, and he was kinda a moron, but the film was well done and pretty entertaining. The Darjeeling Limited(B) was a solid entertaining Wes Anderson movie, but disapointing when compared with The Royal Tenenbaums.

(Reply to this)
fuj_ball
fuj_ball writes:
on Nov 19 2007 11:56 AM

In reply to this comment (#1288457)
Very little is even remotely similar to the actual poem. This movie does for epic poems what Explorers did for space travel.

(Reply to this)
Bob*
Bob* writes:
on Nov 19 2007 11:57 AM

so that means that american audiences can watch an animated movie for adults without entering in panic?! awesome!

It will come to mexico this weekend..I'll run and see it! =D


(Reply to this)
Bloody Mathias
Bloody Mathias writes:
on Nov 19 2007 04:28 PM

What's up with people complaining that it didn't stick to the poem? Are their anglo-saxon 4th century poem fans around today? Seriously. It's not a comic book, it's an ancient poem that no one cares about today. Who cares if they changed it?

(Reply to this)
Ciaranmv
Ciaranmv writes:
on Nov 19 2007 05:28 PM

In reply to this comment (#1289920)
I'll tell you who, Bloody Mathias: even though I don't particularly enjoy the poem's language, I think that to ignore the story's message and its original intent is disrespectful to an extent. If they're gonna bring something that people have read and appreciated to the screen (whether it's "Beowulf" or "Lord of the Rings"), they should at least make an effort to stick to the original premise somewhat. I don't care if they improve on scenes or elaborate on character development like Peter Jackson did as long as the original premise is intact. They did the same thing on "Spiderman 3"! And for every comic book fan out there, I bet you there is another film and literature lover who is about fed up with Hollywood's bastardization of beloved texts by making Grendel's mother an alluring vixen with high heels. They portray her more like a 'Grand Auto Theft' hooker in this than any all-powerful demon.

(Reply to this)
I Am Remote
I Am Remote writes:
on Nov 19 2007 06:02 PM

People actually liked "Beowulf"? Wow. Alright.

(Reply to this)
aknddon3
aknddon3 writes:
on Nov 19 2007 06:29 PM

SOrry but Beowulf was an amazing poem, by far better than Lord of the Rings.

(Reply to this)
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