Average Rating: 5.1/10
Reviews Counted: 18
Fresh: 8 | Rotten: 10
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Average Rating: 6.3/10
Critic Reviews: 5
Fresh: 2 | Rotten: 3
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Average Rating: 2.6/5
User Ratings: 2,891
n 1989, six year old Martin Bristoll was kidnapped from his backyard swing in Minersville Pennsylvania. Graham Sutter, a psychotic recluse, kept Martin imprisoned on his derelict pig farm, forcing him to witness and participate in unspeakable horrors. Chosen at random, his victim's screams were drowned out by the rural countryside. For five years, Martin's whereabouts have remained a mystery, until 17 year old Allison Miller (Alexandra Daddario) comes to live with her Uncle, Jonathan (Michael
Mar 4, 2011 Limited
Aug 30, 2011
Crimson Films - Official Site
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Valentina de Angelis
Martin Age 6
Miriam A. Hyman
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Lynn Mastio Rice
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Bereavement -- miraculously as dull as its title -- is neither far gone enough to be funny nor well thought-out enough to be disturbing.
Virtually every shot in Bereavement -- a sort of prequel to Mena's Malevolence (2005) -- is the right one; the editing, also by Mena, is first-rate.
This is an example of what happens when a clever, proficient filmmaker falls in love with brutal trash.
while Bereavement is certainly a slasher, it is also a film about how monsters are made, in which every character, hero and villain alike, is figured as tragic prey to genes and circumstance.
Palinesque, bland and increasingly silly with oodles of unintentional humor instead of what every horror fan expects: palpable scares.
The film is so laughably Freudian it could play as a parody of certain acclaimed horror film studies such as Men, Women and Chainsaws: Gender in the Horror Film.
"Bereavement" isn't a bad slasher film, but after a few stabs (no pun intended) at being something more, it settles for being just a slasher film. And that's disappointing.
In this deliberately paced horror movie, a big-city teen homes in on the darkness at the edge of a small Pennsylvania town, with grim results.
It truly plays like one person's nightmarish descent into a world of total madness. It gives you a feel for who Martin Bristol is and why he's so lethal. On that level the film is a complete success.
A character-centric thriller signifying Mena's progression as a filmmaker even as it doesn't quite retain the same home-grown charm and earnestness of its predecessor.
Though Mena refers to his sadistically sliced up female brisket as therapeutic, there's a line between calming viewer fears, and titillating them. While human chopped meat served up raw making you go vegetarian, isn't exactly relished food for thought.
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