(Bertolucci) creates an awkward but intense intimacy, a film raw and delicate.
Besieged (1998)
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Reviews Counted:45
Fresh:33
Rotten:12
Average Rating:7/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left... In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left Africa when her husband was made a political prisoner, and she numbs her grief in Rome by keeping busy at medical school. By day she earns her keep cleaning house for Mr. Kinsky (David Thewlis), the classical pianist who inherited the villa in which they both live. When Kinsky finally admits his infatuation with his downstairs tenant, she shocks him by demanding that he free her husband. What follows is a profound sacrifice that reminds these two frightened people that the differences between them need not be insurmountable. BESIEGED is partly about getting to know people by looking at them, and the film itself seems nearly wordless. Bertolucci charts emotion in handheld close-up shots and wraps his principals in rich color, texture, and music. Rome is modern and sumptuous at the same time, just as the villa is nestled between a busy subway station and the Spanish Steps. The small-narrative feel is no accident; the film is based on a short story by James Lasdun. [More]
Starring: David Thewlis, Thandie Newton
Starring: David Thewlis, Thandie Newton
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Screenwriter: James Lasdun, Bernardo Bertolucci
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Reviews for Besieged
The film is a moderately involving, oddly lighthearted look at the connection between love, obsession, and sacrifice that is somewhat marred by instances of overwrought acting and bad dialogue.
Bernardo Bertolucci's lavish visual ballet of awkward body language that features little dialogue and intense emotion.
Does this allusive, delicate story work? The answer is yes, provided you are sympathetic with what Bertolucci is trying to do.
One of the most accessible films to come from Bertolucci and shows the filmmakers deep understanding of his craft.
Maddening on many fronts and strangely wordless, Bernardo Bertolucci's purported love story breaks no new ground.
Despite a vividly expressive performance by Newton, the lack of urgency equates to a lack of intimacy.
How can a director of such sophistication, in a film of such stylistic grace, tell such a shallow and evasive story?
Bertolucci and co-writer Clare Peploe seem intent on deconstructing the story's interesting elements at every turn, substituting woolliness for clarity, atmospherics for real emotion and an often condescending, armchair-liberal naivete for real political
A movie calculated to throw you off balance from the very first image. It then keeps you off balance with each fresh twist and turn in this almost purely character-driven narrative.
It is fraught by unresolvable race, class and national identity issues.
Bertolucci and co-writer Clare Peploe tell an intimate and painstaking tale that's complemented by exquisitely restrained acting.
The frenetic editing and shaky framing, a combination so familiar from MTV, become in Bertolucci's hands something greater than sham documentary.
A purposefully romantic exploration of the nonverbal connections between people that can blossom into love.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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