Opening

76% Fast & Furious 6 May 24
30% The Hangover Part III May 23
94% Epic May 24
97% Before Midnight May 24
70% We Steal Secrets: The Story Of Wikileaks May 24
88% Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
49% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
98% Mud $2.2M
37% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

Besieged Reviews

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Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

How can a director of such sophistication, in a film of such stylistic grace, tell such a shallow and evasive story?

Full Review Source: Chicago Sun-Times | Original Score: 1/4

January 1, 2000
James Berardinelli
ReelViews
Top Critic IconTop Critic

The film is a moderately involving, oddly lighthearted look at the connection between love, obsession, and sacrifice that is somewhat marred by instances of overwrought acting and bad dialogue.

Full Review Source: ReelViews | Original Score: 2.5/4

January 1, 2000
Christopher Null
Filmcritic.com

Deserves acclaim only for its pleasant piano music.

Full Review Source: Filmcritic.com | Original Score: 1.5/5

January 1, 2000
Wesley Morris
San Francisco Examiner

These aren't people; they're puppets, regardless of what Newton and Thewlis' mannered performances say.

Full Review Source: San Francisco Examiner

January 1, 2000
Susan Tavernetti
Palo Alto Weekly

An aesthetic treat for art film lovers. Everyone else should stay away.

| Original Score: 2.5/4

May 20, 2003
Guy MacPherson
Apollo Guide

Largely slow and uninteresting.

Full Review Source: Apollo Guide | Original Score: 64/100

January 1, 2000
Cynthia Fuchs
Philadelphia City Paper

It is fraught by unresolvable race, class and national identity issues.

Full Review Source: Philadelphia City Paper

January 1, 2000
Susan Stark
Detroit News
Top Critic IconTop Critic

Full Review Source: Detroit News | Original Score: 2/4

January 1, 2000
Daniel Mangin
Salon.com
Top Critic IconTop Critic

Given Bertolucci's impish leanings, the self-referential sequences may merely be gags. If so, they're among a half-dozen others that backfire.

Full Review Source: Salon.com

December 19, 2001
Michael Dequina
TheMovieReport.com

Despite a vividly expressive performance by Newton, the lack of urgency equates to a lack of intimacy.

Full Review Source: TheMovieReport.com | Original Score: 2.5/4

December 28, 2004
Derek Elley
Variety
Top Critic IconTop Critic

Bertolucci and co-writer Clare Peploe seem intent on deconstructing the story's interesting elements at every turn, substituting woolliness for clarity, atmospherics for real emotion and an often condescending, armchair-liberal naivete for real political

Full Review Source: Variety

December 7, 2007
Sandra Contreras
TV Guide's Movie Guide

Maddening on many fronts and strangely wordless, Bernardo Bertolucci's purported love story breaks no new ground.

Full Review Source: TV Guide's Movie Guide | Original Score: 2/4

December 7, 2007
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

I look forward to seeing it again, much as I would return to a favorite piece of music.

Full Review Source: Chicago Reader | Original Score: 4/4

January 1, 2000
Dennis Schwartz
Ozus' World Movie Reviews

It sort of grows on you, and seems more emotionally satisfying the more you think about it.

Full Review Source: Ozus' World Movie Reviews | Original Score: B+

January 1, 2000
Rob Blackwelder
SPLICEDWire

Bernardo Bertolucci's lavish visual ballet of awkward body language that features little dialogue and intense emotion.

Full Review Source: SPLICEDWire | Original Score: 3/4

January 1, 2000
Sean Axmaker
Seattle Weekly

(Bertolucci) creates an awkward but intense intimacy, a film raw and delicate.

Full Review Source: Seattle Weekly | Original Score: 9/10

January 1, 2000
Arthur Lazere
culturevulture.net

a master filmmaker at the peak of his powers...celluloid poetry

Full Review Source: culturevulture.net

January 1, 2000
Frederic and Mary Ann Brussat
Spirituality and Practice

A compelling drama about sacrificial love.

Full Review Source: Spirituality and Practice

March 4, 2002
Laura Clifford
Reeling Reviews

A thinking audience's romance.

| Original Score: A-

October 8, 2004
Robin Clifford
Reeling Reviews

One of the most accessible films to come from Bertolucci and shows the filmmakers deep understanding of his craft.

Full Review Source: Reeling Reviews | Original Score: B+

April 9, 2005
Jeffrey M. Anderson
Combustible Celluloid

I can't say that I was affected by it much at all.

Full Review Source: Combustible Celluloid | Original Score: 2.5/4

May 26, 2006
Jon Popick
Planet Sick-Boy

January 1, 2000

Irish Times

January 1, 2000

Sight and Sound
June 18, 2012
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