41% Sin City: A Dame to Kill For Aug 22
42% If I Stay Aug 22
20% When The Game Stands Tall Aug 22
9% Are You Here Aug 22
96% Love Is Strange Aug 22

Top Box Office

20% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
15% Let's Be Cops $17.8M
34% The Expendables 3 $15.9M
32% The Giver $12.3M
20% Into The Storm $7.9M
65% The Hundred-Foot Journey $7.2M
65% Lucy $5.5M
39% Step Up: All In $2.7M
61% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

Premieres Tonight

29% BoJack Horseman: Season 1

New Episodes Tonight

—— Jonah From Tonga: Season 1
86% The Knick: Season 1

Discuss Last Night's Shows

100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
95% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Beverly Hills Cop III Reviews

Peter Rainer
Los Angeles Times
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It's one of the most cynically engineered sequels ever.

Full Review Source: Los Angeles Times

May 2, 2014
Jeff Shannon
Seattle Times
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Landis relies on routine action -- and cameos by such noted filmmakers as George Lucas, John Singleton, Martha Coolidge and others -- to hide the fact that there's no engine under his movie's hood.

Full Review Source: Seattle Times | Original Score: 2/4

May 2, 2014
Steven Rea
Philadelphia Inquirer
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The mix of violence and laughs never gels, the rejoinders are snapless, the pace slack.

Full Review Source: Philadelphia Inquirer | Original Score: 1.5/4

May 2, 2014
Jay Boyar
Orlando Sentinel
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The movie... isn't nearly as fresh as the first Cop flick was. But I must admit that it's a whole lot more enjoyable than the contemptible crashathon known as Beverly Hills Cop II.

Full Review Source: Orlando Sentinel | Original Score: 3/5

May 2, 2014
Richard Schickel
TIME Magazine
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Eddie Murphy needs to shoot off his mouth. It's his best weapon, and the one that's unique to his arsenal. When a movie mostly requires him to shoot off a gun he becomes just another action star, and another talent wasted in lazily miscalculated material.

Full Review Source: TIME Magazine

May 2, 2014
Michael Sragow
New Yorker
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Steven E. de Souza's script has Foley following a trail of murder and deception into an L. A. amusement park called WonderWorld. The director, John Landis, fails to exploit the possibilities.

Full Review Source: New Yorker

May 2, 2014
Michael Wilmington
Chicago Tribune
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The fun of the idea in Cop 3 is the notion of a huge, corny, funny-animal park, with cops and killers running around in the tunnels. But the movie gets drowned in casual brutalism, lazy shtick and telegraphed jokes.

Full Review Source: Chicago Tribune | Original Score: 1.5/4

May 2, 2014
Owen Gleiberman
Entertainment Weekly
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The Eddie Murphy who skulks, swaggers, and -- mostly -- fires guns through Beverly Hills Cop III is like a replicant version of his former self.

Full Review Source: Entertainment Weekly | Original Score: D+

September 7, 2011
Richard Natale
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The third installment of the Beverly Hills Cop series boasts a return to form by Eddie Murphy and a breezy and witty first half.

Full Review Source: Variety

March 26, 2009

Time Out
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There are germs of interest -- America's theme-park culture and obsession with weapons -- but on the whole Landis aims for the obvious.

Full Review Source: Time Out

June 24, 2006
Caryn James
New York Times
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As surely as if it were a McDonald's or a Burger King, Beverly Hills Cop III is part of a money-making franchise, though this one has been abandoned for so long it has cobwebs on top of cobwebs.

Full Review Source: New York Times

May 20, 2003

Globe and Mail
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Like most flicks conceived as marketing vehicles, it's hollow at the core.

Full Review Source: Globe and Mail

April 12, 2002
Peter Travers
Rolling Stone
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Whatever juice is left in the Cop franchise or in the once unstoppable career of Eddie Murphy peters out ignominiously in this poor excuse for a sequel.

Full Review Source: Rolling Stone

May 12, 2001
Desson Thomson
Washington Post
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[A] goofy vanity project.

Full Review Source: Washington Post

January 1, 2000
Joe Brown
Washington Post
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The most lackluster entry in the franchise.

Full Review Source: Washington Post

January 1, 2000
James Berardinelli
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One wonders where the Eddie Murphy of 48 Hours and Trading Places has gone. The irreverence is still there, but there's no verve or freshness.

Full Review Source: ReelViews | Original Score: 2/4

January 1, 2000
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