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Beyond the Clouds (1995)
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Reviews Counted:20
Fresh:13
Rotten:7
Average Rating:6.4/10
Runtime: 1 hr 55 mins
Genre: Foreign Films
Synopsis: Antonioni's first film since suffering a stroke in 1985 is based on stories from his book THAT BOWLING ALLEY IN THE TIBER and was realized with help from Wim Wenders. It is a loosely connected... Antonioni's first film since suffering a stroke in 1985 is based on stories from his book THAT BOWLING ALLEY IN THE TIBER and was realized with help from Wim Wenders. It is a loosely connected series of beautifully shot romantic vignettes tied together by "the Director," (John Malkovich) who wanders around Italy observing the inhabitants of various cities: a beautiful young couple have two magical evenings three years apart; The Director learns the secret of a beautiful young woman (Sophie Marceau); a married man (Peter Weller) must choose between his young mistress or his loyal wife; and, finally, a young man (Vincent Perez) tries to win over an aloof young woman (Irene Jacob). [More]
Starring: John Malkovich, Irène Jacob, Fanny Ardant, Sophie Marceau
Starring: John Malkovich, Irène Jacob, Fanny Ardant, Sophie Marceau, Vincent Perez, Jean Reno, Inés Sastre, Kim Rossi-Stuart, Chiara Caselli, Peter Weller, Jeanne Moreau, Marcello Mastroianni
Director: Michelangelo Antonioni, Wim Wenders
Director: Michelangelo Antonioni, Wim Wenders
Screenwriter: Michelangelo Antonioni, Tonino Guerra, Wim Wenders
Producer: Stephane Tchal Gadjieff, Philippe Carcassonne
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Reviews for Beyond the Clouds
Though not vintage Antonioni, this later work (supervised by Wim Wenders), a meditation on eros, love, and desire, features some of the most beautiful actresses working today: Fanny Ardant, Irene Jacob, and Sophie Marceau.
Antonioni seems to be using his absence from the scene as an opportunity to restate his vision, perhaps having a new generation of filmgoers in mind.
One of Fanny Ardant's lines sums up the rest of Beyond the Clouds: 'Everything seems ridiculous.'
We find we're lucky enough if we can just get one story out of this two-hour ordeal, which wanders aimlessly in art-house hell as often as it enchants.
Everybody likes a pretty face, but when it comes right down to the nitty-gritty, Beyond the Clouds lacks substance.
Musing on the power of inner thought and imagination, the film is far from deep, but instead feels superficial and one-dimensional.
There are a lot of beautiful things in Beyond the Clouds: the style, the settings, the bodies of young men and women—many of them beautiful in the vaguely blank way that models are.
Beyond the Clouds is a magnificent coda to a career spent excavating images and probing the silences that exist between people.
There are moments of such astounding visual power in Michelangelo Antonioni's film Beyond the Clouds that you are all but transported through the screen to a place where the physical and emotional weather fuse into a palpable sadness.
While famous for crafting films about incommunicability and alienation, Antonioni here delivers one that simply communicates nothing at all.
It is in the enigma of what it is the lover's want or why they are compelled to want certain things that makes this a fascinating film.
It's [the] compelling sense of mystery, of the endless search and its undercurrent of loneliness, that sets this great filmmaker apart.
The moments that work in this movie (and there are many) remind us that most other films of today still have a long way to go.
Antonioni's dreamy, pretentious fickle-finger-of-fate mini-tales struggle to wrestle with love and desire, but truck in adolescent ideas and delight in nothing so much as undressing their many young actresses.
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