The very definition of self-conscious camp, certainly not Art but much too intelligent for Trash.
Beyond the Valley of the Dolls (1970)
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Reviews Counted:21
Fresh:14
Rotten:7
Average Rating:5.9/10
Runtime: 1 hr 49 mins
Genre: Dramas
Synopsis: In Russ Meyer's BEYOND THE VALLEY OF THE DOLLS, all-girl rock band the Kelly Affair moves to Los Angeles in pursuit of fame and fortune. Upon meeting wealthy rock scenester Ronnie "Z-Man" Barzell... In Russ Meyer's BEYOND THE VALLEY OF THE DOLLS, all-girl rock band the Kelly Affair moves to Los Angeles in pursuit of fame and fortune. Upon meeting wealthy rock scenester Ronnie "Z-Man" Barzell (John Lazar) at one of his lavish parties, they believe they've met the man who can bring them fame. Changing their name to the Carrie Nations, they navigate their way through a maze of sexual misadventures, drugs, and brushes with some very unpleasant characters only to find that fame comes at a price. Livening up the considerably frantic proceedings are Meyer starlets Edy Williams and Erica Gavin (VIXEN), as well as an appearance by the Strawberry Alarm Clock. Finally invited to work within a major studio (20th Century Fox) following the enormous success of 1968's VIXEN, Meyer, along with screenwriter Roger Ebert, created the ultimate sex, drugs, and rock & roll film of the psychedelic era. An altogether odd mixture of comedy, drama, and left-field shocks punctuated with memorably wacky lines, BEYOND THE VALLEY OF THE DOLLS lets Meyer's reliably decadent formula mingle agreeably with the psychedelia of the time. [More]
Starring: Dolly Read, Cynthia Myers, Marcia McBroom, John LaZar
Starring: Dolly Read, Cynthia Myers, Marcia McBroom, John LaZar, Michael Blodgett, David Gurian, Edy Williams, Erica Gavin, Phyllis Davis, Harrison Page, Duncan McLeod, James Iglehart, Charles Napier
Director: Russ Meyer
Director: Russ Meyer
Screenwriter: Roger Ebert, Russ Meyer
Producer: Russ Meyer
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Reviews for Beyond the Valley of the Dolls
Any movie that Jacqueline Susann thinks would damage her reputation as a writer cannot be all bad. Beyond the Valley of the Dolls isn't -- which is not to say it is any good.
Beyond the Valley of the Dolls is one of the most incomprehensible films I have ever seen.
I can't call it a bad film, since all its eccentricities (including the groovy dialogue) were obviously lovingly placed there.
As his overactive jump cuts prove, Meyer directs films as though he's perpetually on the cusp of a fantastic orgasm.
One of the strangest and wildest cult flicks to be ever financed by a major studio (Fox), this sequel has not aged well but it serves as a time capsule to its era.
A psychedelic wow that serves up the free love, plunging necklines, androgynous boys, and lusty lezzies of the era with a narcotized abandon.
This trashy, gaudy, sound-stage vulgarity about low life among the high life is as funny as a burning orphanage.
A funky, wonky, and entertaining jolt into the decade that bred free loving, hipster rockers, and hippies...
An outrageously entertaining cult classic, and probably one of the most bizarre movies ever produced by a major Hollywood studio.
With his first movie for a major studio, Meyer simply did what he'd been doing for years, only bigger and better.
Although it would not be appropriate for me to review it or give it a star rating, I offer the following observations written for Film Comment magazine on the occasion of the movie's 10th anniversary in 1980.
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